Footnote' roasts Jewish life
Footnote, written and directed by Joseph Cedar, begins with a rivalry between a father and son.
Footnote, written and directed by Joseph Cedar, begins with a rivalry between a father and son.
Ben Gold '13, a Music and Theater double major, is now highly involved in the performance scene at Brandeis.
Thursday evening, the Pearlman Lounge held an intimate gathering of poetry lovers, both young and old, waiting to hear Kimiko Hahn.
Art is born from past art but manages to create something new and unfamiliar. The graduate student composers at Brandeis continued this process on Saturday in the Slosberg Recital Hall with their concert "New Works for Strings," where their string compositions were performed by the Lydian String Quartet.
Sometimes art mimics life, and sometimes art mimics art. In the case of the Leonard Bernstein Scholars and Fellows concert this Sunday, the latter was true, in that the classical music concert resembled a musical drama. The cast of players was the talented members of the Bernstein Fellowship, a highly selective program for undergraduate chamber musicians.
Melancholia, written and directed by controversial director Lars Von Trier, is about coming to terms with death?not of individuals, but of the world as we know it.
The South Campus Commons provided an intimate setting last Thursday through Sunday for the Brandeis Players' performance of Waiting for Godot by Samuel Beckett.
Last Friday night, students and parents crowded into Golding Auditorium to hear VoiceMale, One of Brandeis' all-male a cappella group, and Up the Octave, one of Brandeis' all-female a cappella group, in their joint concert titled "An Acapella Mixer." The idea for this concert has been on the table for months but had not occurred in recent history. "Both groups were very excited at the prospect of collaborating in some way since we are [both] single-sex ensembles," said Dena Ayzikovich '13 of Up the Octave.
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