Mr. Koplow seems to relegate the burden of initiative to the individual, but it’s our country’s institutions that point the way. We live in a society that is unfortunately heavily influenced by funding provided by these institutions, so any divestment would be a push in the right direction. There were some in the theater who argued that we are too far gone to prompt significant change. This sentiment is why we are in this mess in the first place. Though our climate trajectory for the coming decades is not optimistic, we can still take strides toward minimizing the inevitable damage. Mr. Koplow insists that the Board has “taken a look at the rosters of universities out there” and that “there are really not a lot of U.S. universities that have gone ahead and divested.” Just because other institutions have not does not mean Brandeis should not.
This was a year of box office records.
Writers and editors share their 2017-2018 favorites!
Children dancing. Students dancing. Adults dancing. Grandparents dancing. This was the effect Kotoko Brass had on its audience in the tent on the Great Lawn last Sunday.
Ridgewood A was packed with great performances from groups of various branches of the arts.
Shakespeare. Rowling. Tolkien. King. Seuss. What do all of these writers have in common? They are all eclipsed by the iconic Agatha Christie.
This weekend, Brandeis’ Undergraduate Theater Collective presented the classic Disney musical “Beauty and the Beast,” directed by Maia Cataldo ’20.
On March 12, the American Studies program hosted a film screening of the 1985 Hector Babenco film “Kiss of the Spider Woman.”
The Center for German and European Studies hosted a film night at the Wasserman Cinematheque on Feb. 28. The department screened “Fukushima Mon Amour,” a film following a 20-something German woman travelling to the site of the 2011 nuclear meltdown caused by a magnitude 9.0 earthquake. She goes to an adjacent temporary residence to entertain the remaining citizens who insisted on staying in their hometown. When she is tricked into bringing an old geisha back to her destroyed home a few kilometers away, the two rebuild the house in an attempt to escape their past mistakes.