Writers and editors share their 2017-2018 favorites!
Children dancing. Students dancing. Adults dancing. Grandparents dancing. This was the effect Kotoko Brass had on its audience in the tent on the Great Lawn last Sunday.
Ridgewood A was packed with great performances from groups of various branches of the arts.
Shakespeare. Rowling. Tolkien. King. Seuss. What do all of these writers have in common? They are all eclipsed by the iconic Agatha Christie.
This weekend, Brandeis’ Undergraduate Theater Collective presented the classic Disney musical “Beauty and the Beast,” directed by Maia Cataldo ’20.
On March 12, the American Studies program hosted a film screening of the 1985 Hector Babenco film “Kiss of the Spider Woman.”
The Brandeis Shakespeare Society, also known as Hold Thy Peace, put on an adaptation of playwright Ellen McLaughlin’s “Iphigenia and Other Daughters” this past weekend in the Shapiro Campus Center.
The Center for German and European Studies hosted a film night at the Wasserman Cinematheque on Feb. 28. The department screened “Fukushima Mon Amour,” a film following a 20-something German woman travelling to the site of the 2011 nuclear meltdown caused by a magnitude 9.0 earthquake. She goes to an adjacent temporary residence to entertain the remaining citizens who insisted on staying in their hometown. When she is tricked into bringing an old geisha back to her destroyed home a few kilometers away, the two rebuild the house in an attempt to escape their past mistakes.
The screening of the 1924 film “Sherlock Jr.” was hosted by the History of Ideas program. The organizer, academic administrator Julie Seeger (PHIL), invited students and faculty to “A Night at the Movies,” one in a series of three movie nights throughout the semester. This first one was, in part, also a celebration of Prof. John Plotz’s (ENG) new book, “Semi-Detached: The Aesthetics of Virtual Experience since Dickens.”
I think Stephen Colbert said it best on The Late Show on Jan. 23, the night after the 90th annual Oscar nominations were announced: “There are no controversies over lack of diversity. …With no big Oscar snubs, who are we mad at?” While I don’t believe diversity is an indicator of quality, there are very few exceptions to this year’s nominees that I take issue with. It happens to be that the Oscars got most everything right this year. This growing inclusion is more a commentary on the industry than on the quality of the films released in 2017.