Need a way to celebrate? Try this Lunar New Year x Valentines Day crossword
Across
Use the field below to perform an advanced search of The Justice archives. This will return articles, images, and multimedia relevant to your query.
Across
“I am [Brandeis National Committee]’s biggest cheerleader because I am Brandeis’ biggest cheerleader,” Beth Bernstein MA ’90 said in a Feb. 2 interview with The Justice. For the past 33 years, Bernstein has been an central part of the BNC, an organization that has been around as long as the University itself.
On Oct. 9, 2023, an employee of a Mobil gas station in Arlington, Massachusetts was working his usual Monday night shift when a nondescript black car pulled in. The driver, a small elderly woman surrounded by cardboard boxes, rolled down her window and asked him a simple question: “Do you need food?”
When walking through the Museum of Fine Arts, I was shocked to see the word “Jello” across a wall next to a small room, and I couldn’t help but venture in. Sometimes curiosity kills the cat, but in this instance the cat gained some perspective. The exhibit “Digital Iridescence: Jell-O in New Media” is unlike any other that I have seen and proves why I continue to venture across the city and explore museums.
Like many of us, I spent my winter break enjoying some of my favorite Christmas films. Among them were the classics like “It’s A Wonderful Life,” but a new favorite that made it to my list is the 2020 Netflix film “Jingle Jangle: A Christmas Journey.” It is a heartwarming and charming tale that is equal parts magical fantasy and realism in its depiction of the complexities of family. Did I mention this film is nearly an all Black cast? Finding movies that depict wholesome Christmas, Kwanzaa or other celebrations for the Black community has been, well, difficult to say the least. Lyn Sisson-Talbert, the producer, is a Black woman and among the most notable female producers in the film industry. Her husband, David E. Talbert, wrote and was a co-creator of the film. Their collaboration creates a cinematic pulse through everything from the costume design to the cinematography.
The fall semester was incredibly challenging for members of the Brandeis community. Many of us are affected by the violence occurring in Palestine and Israel. Closer to home, the Brandeis administration led by President Ron Leibowitz has repeatedly mishandled its messaging on the violence the Israeli military is waging in Gaza. Brandeis administration has also acted tyrannically and breached community trust in its response to student activism. Despite President Leibowitz’s self-proclaimed pride in setting an example for how other universities respond to this crisis, a vast portion of our campus community does not stand with him. To date, many Brandeis faculty and alumni have voiced their disapproval of the administration’s actions. Similarly, we as a diverse and interdisciplinary group of 40+ graduate students, have come together to set straight the record of events that have taken place on our campus and hold the University administration accountable for its part in escalating a crisis of trust at Brandeis.
Aries (Mar. 21 – Apr. 29)
On Saturday, Jan. 13, 2024, the Brandeis University Track and Field team showcased their talents in the 2024 Reggie Poyau Memorial Title by seizing a well-earned victory. In their first and only home meet of the season, the women finished with 129.5 points, with 28 more points than second-place, Bates College, causing the Judges to take home the title. The men finished with 80 points, placing third, behind the notable track and field teams from Bates College, with 206 points, and Rensselaer Polytechnic Institute (RPI) University, with 174 points.
“Jury Duty” is a weekly column that spotlights different Brandeis student-athletes. Please email sports@thejustice.org if you would like to nominate someone. We hope to bridge the gap between student-athletes and non student-athletes by highlighting relatable content to make the community feel more approachable. If you see a highlighted athlete around campus, introduce yourself! Or head to Gosman and cheer them on.
The tree between Pearlman Hall and the Usdan Student Center has been yarn bombed! The bright colors contrast with the barren branches of a tree in the winter, while the green moss and the green sections of yarn cause a moment of similarity. Over the time that the piece has spent on the tree, it has weathered many of the elements, including snow and rain. The yarn has started to become one with the tree, as it felts to the branches and trunk. The piece has been covered in snow and ice crystals, protecting the tree from the natural elements and keeping it warm during the coldest week of the year.
Zaire Simmonds ’26, a current sophomore at Brandeis, has made many strides to pursuing his passion for teaching. An Education Studies major, Undergraduate Departmental Representative of the Education Studies program and the founder and president of the Brandeis chapter of the educational organization Aspiring Educators, it’s difficult to deny Simmonds’ passion for the education sector. Simmonds’ passion rose from his own upbringing in the New York City public school system as well as the “natural itch” for teaching that began in his early childhood.
This semester, the Athletics Department decided to convert one of its multipurpose rooms in the Joseph M. Linsey Sports Center to a dedicated cycling room. Adjusting this room’s function elicited strong reactions from dance clubs on campus, who are no longer able to practice in the room.
Content warning: elements of the exhibition concern and confront difficult and intimate moments of the queer experience. Homophobic slurs are present in this exhibit and article.
Gloria Estefan is a Cuban American woman who broke down boundaries and changed the music industry forever. Both her music and her story have deeply impacted me, inspiring me to give 100% of myself to both my art and everything else in my life. I have always been amazed with her ability to balance motherhood, a successful career, and the challenges that life has thrown her way; I aspire to one day hold some of these qualities myself.
Content warning: topics around sexual violence and death are mentioned in this article.
The desire path cutting across the front lawn at the end of Villa Street — Richard’s lawn — isn’t obvious until you’re actually walking along it, at which point you can see the divot in the grass at your feet. It marks the finish line of the steep forested hill above Nipper Maher Park that dozens of Brandeis students hike up every day to get to class. The route, colloquially known as the North Cut, is a way for Brandeis students walking to school from Waltham to get to classes located at or above the Rabb Steps while avoiding the slog up the entirety of campus from the main entrance at the bottom.
On Dec. 3, city councilors Colleen Bradley-MacArthur, George Darcy, and Jonathan Paz held a town hall meeting at First Parish Church in Waltham to discuss their thoughts about renovating the Walter E. Fernald Developmental Center in a way that represents the public’s concerns about memorializing the institution. Residents spoke about the plans to renovate Fernald, modeling public disagreement over what changes should take place. A common theme that residents agreed on was that they expect more communication from the Waltham City Council, with some stressing how the renovations ignore the institution’s history.
The Sports section of the Justice is starting a new column called "Jury Duty" that hopes to spotlight different athletes every week. Please email sports@thejustice.org if you would like to nominate someone. My hope and aim for is to bridge the gap between student athletes and non student athletes by highlighting relatable content to make the community feel more approachable. If you see a highlighted athlete around campus, maybe introduce yourself if you have the same taste in music! Or head to Gosman and cheer them on.
On the Nov. 16, 2023, the Rose Art Museum held the grand opening of its new exhibition, “No Ordinary Love,” a curation of works by Salman Toor. This exhibition represents a wave of exhibitions for the Rose as a continuation of an established theme for their exhibitions and collections. The Rose is seeking to uplift and raise the voices and works of intersectional artists, using both new and prior collections to challenge our perspectives on old concepts and preconceptions. Salman Toor, a queer Pakistani artist, exemplifies this intersectionality in his work by painting beautiful panels of maturing as a queer boy in Pakistani culture. Toor’s work can be seen in this exhibition, a living space organized by Dr. Gannit Ankori, the director and chief curator of the Rose Art Museum. The entire exhibit was curated by Asama Naeem, and Dorothy Wagner Wallis, Director of the Baltimore Museum of Art. Toor and Dr. Ankori both created a modern exhibition that recognizes the voices of queer people, Pakistanis, and queer Pakistanis. Throughout the exhibit, Toor’s voice is seen on the walls. The writing on the wall emphasizes the difficulties of sexuality, gender identity, gender expression, and cultural establishments. Those larger themes can be traced throughout his work, the exhibition guides you through each. Toor asks you to consider the feminine and the masculine the mother and the child; society and nature. His work forces the viewer into a voyeuristic perspective; you are an observer to the maturation of a man in conflict with his identities and his environment. Some examples of his art are shown to express these themes.