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SUNNY FOLKS: Students spread blankets in front of the Shapiro Campus Center to eat picnic lunches during Folk Fest.
Shakespeare. Rowling. Tolkien. King. Seuss. What do all of these writers have in common? They are all eclipsed by the iconic Agatha Christie in estimated book sales, who herself is only outsold by the Bible. Christie’s renowned standalone whodunits, as well as her Miss Marple and Hercule Poirot series, have shaped the mystery genre since she began writing in 1920. Her novels have been adapted countless times into acclaimed TV series, feature films and stage plays. On April 14, the Undergraduate Theater Collective put on a production of “And Then There Were None,” one of her most famous novels, which she later adapted for the stage. It is currently the best-selling crime novel of all time. The production was directed by Merrick Mendenhall ’20.
On Saturday night, Student Committee for the Rose Art Museum held their annual Rose Art Museum party, SCRAM JAM, an opportunity for students to explore the museum. Live music, student performances, refreshments and other attractions provided entertainment and students could enjoy these attractions while checking out the artwork that the Rose has to offer.
If you walked into Levin Ballroom on the last night before spring break, you saw many tables covered in candy and origami planes. The cavernous room was cozy, covered in twinkle-lights and filled with friendly, sociable people. Almost immediately, my eyes were drawn to the stage as Tamara Garcia ’18 and Dong-Min Sung ’19 cleverly began to introduce the acts for the Korean Student Association’s annual K-Nite.
There was plenty of charm to be found in Friday’s showcase, “Brandeis by Night: Timeless Charm,” put on by the Brandeis Vietnamese Student Association. The night was full of color and booming music, both traditional and modern. It was also wonderful to see the fruits of all the hard work VSA put into entertaining us and opening our minds to the cultural beauty (and delicious foods) of Vietnam. I knew the moment I saw Levin Ballroom that this would not be a typical performance; the room was set up with many colorful circular tables covered in paper flowers and Vietnamese snacks.
MARVELOUS MOVEMENT: The talented VSA e-board performed a self-choreographed dance.
DRAGON DANCING: The festive evening featured multiple exciting dragon dances with costumes like this one.
FAN CLUB: Dancers performed beautifully and gracefully, using fans to supplement their choreography.
MAGNIFICENT MONOLOGUES: Performers in deliver their lines from the balcony above the audience.
CHILL VIBES: Boston-based rock band, Motel Black, braved the cold to perform in front of the Rose Art Museum at SCRAM JAM.
This week, justArts interviewed Viola Dee ’18, who co-directed this year’s performance of “The Vagina Monologues.”
If you want a movie that makes you feel “all the feels,” go see “Love, Simon.”
The Southeast Asia Club’s annual multicultural showcase was a wonderful celebration of exceptional talent and Brandeis idiosyncrasy. Beginning with a video sketch about the SEAC executive board traveling through time with a magical stuffed otter, the emcees (Jonah Nguyen ’21 and Abby Berkower ’20) and AYALA coordinators (Carmen Huang ’20, Alice Gong ’20, and Kathy Wong ’20) had the audience laughing and clapping at their antics, which were interspersed between the acts. A well-curated mix of on-campus and guest performers showed the audience just how diverse and talented the nations of Southeast Asia are.
BE OUR GUEST: The furniture and other inanimate objects welcome Belle to the Beast’s enchanted castle.
BE OUR GUEST: The furniture and other inanimate objects welcome Belle to the Beast’s enchanted castle.
This weekend, Brandeis’ Undergraduate Theater Collective presented the classic Disney musical “Beauty and the Beast,” directed by Maia Cataldo ’20. The show was a faithful production of the Alan Menken musical adapted from the 1991 animated film of the same name. The fantasy romance is based on the French fairy tale by Jeanne-Marie LePrince de Beaumont and tells the story of Belle, a girl who is ostracized for her academic inclinations. She runs off into the woods to look for her father, who is imprisoned in a cursed castle. All of the castle’s inhabitants have been turned into household objects, unable to assume their human forms until their master, who has been transformed into a beast, finds true love.
“You think the glass ceiling is shattered only to realize it’s just been cracked,” said musicologist Liane Curtis in her presentation “Why Amy Beach Matters” last Thursday, in the Women’s Studies Research Center. Amy Beach (1867-1947) was an American composer and pianist. Curtis, who earned her doctorate in musicology from the University of North Carolina, Chapel Hill, is a resident scholar at the WSRC.