Correction appendedNorthern Avenue in Boston was flooded with young fans of The Disco Biscuits last Saturday, at around 6 p.m. (The eclectic abundance of Grateful Dead T-shirts, bandanas and trucker hats gave it away). The Disco Biscuits' performance at the Bank of America Pavilion had a crowd of over 4,000 going wild to the electronic, jam band.

Raekwon opened the show. (If you didn't realize, he is a member of the Wu-Tang Clan.) His booming raps brought hungry Bisco fans away from the pizza sold on the perimeter of the Pavilion and close to the stage. While he motivated the crowd to rap along with him, the night was still young and the seats were leaning on the empty side.

Then, MiMOSA, a DJ from West Coast, heated up the stage with his tight shirt, lean muscles and talent for taking the monotony out of the songs you hear on the radio and mixing them into something much more interesting. The atmosphere started feeling more like a Bisco show thanks to MiMOSA's psychedelic vibe.

When the Biscuits came on, there was a rush of excitement that you could feel in the flooded room. With one flash of bassist Marc Brownstein's head roll and smile at Aron Magner, who then nodded on the keyboard, the audience knew that they were in for a memorable show.

Set I included an unfinished "The Overture," "Pimp Blue Rikkis," "Little Shimmy In A Conga Line," the middle section of "Astronaut," my personal favorite with its quintessentially Bisco sound, "Bombs" and then a return to "Little Shimmy In A Conga Line." The lights were absolutely amazing, whether they were beaming in front of you, toward the stage or behind you.

The lights looked even cooler when you're given 3-D shades from the person dancing beside you! That's the thing about Bisco shows-all the fans are just out to have a good time and share the experience with the people around them. It doesn't matter if you have dreadlocks or not; if you want an experience where you don't have to worry about what you look like (not to mention what you look like when you're dancing), then it is about time you experience Bisco live.

When RJD2 came on after the first Bisco set, he kept some, but not all of the numbers of the crowd dancing and on their feet. Watching the big screen (the projectors on either side of the front stage) zoom in onto his hands going back and forth on different tables was quite mesmerizing. His music videos also had a spellbinding narrative, but after some time, anxious fans needed their thirst for Bisco quenched.

Set II got the crowd moving from the beginning with "Run Like Hell." Then, the band inverted "Portal to an Empty Head" and continued by playing the infamous "I-Man," which had the crowd passionately singing along. Bisco also played unfinished editions of "Aceetobee" and "Spacebirdmatingcall." They finished off with "Bernstein And Chasnoff."

The encore was "Feeling Twisted," and frankly, the audience was changed after the show of music; dancing; lights; and cool, crisp air, all of which made for a perfect night.

Meeting Brownstein, Jon Guttwilig (guitar) and Allen Aucoin (drums) backstage proved that the success does not equate to big headedness (I must have missed Magner). They were genuine, kind and just wanted to ensure that the audience enjoyed the show as much as they enjoyed performing.

The Biscuits didn't stop at the Bank of America Pavilion; the band put on an after-party from 12:30 to 2:30 a.m. at Rise on Stuart Street in Boston. Gutwilig performed as M80 Dubstation providing a dubstep adventure.

The Disco Biscuits never fail to leave the audience with a feeling of bliss. The band's shows create an escape from reality; once in the Pavilion, somehow the worries of the world are left at the door. While the group's live shows are incredible, it is still possible to experience Bisco from your dorm room. Check out the Disco Biscuits' new record, Planet Anthem, released March 16.

Correction: The photo caption for this article originally misstated the DJ in the photo. It is MiMOSA, not RJD2.