Interpol

'Turn on the Bright lights'



Matador



Grade: B+



Interpol's debut full-length album has been much awaited after two EPs, and the group did not disappoint. The 11 song CD, which has two previously released songs ("NYC" and "PDA") is full of Paul Banks' dark lyrics and dueling guitar with Daniel Kessler.

"Obstacle 1" is a standout and exemplifies Banks' thoughts on depression and women, which are threaded through the entire album. "Obstacle 2," which comes five songs later on the album, is somewhat of a continuation of "Obstacle 1," but the two songs can stand on their own. The lyrics are definitely in the same vain, however.

"Stella Was a Diver and She Was Always Down" is a six minute song that highlights bassist Carols D's talents, as well as drummer Samuel Fogarino's. "Say Hello to the Angels" is different from the other songs on the album with a faster, more upbeat rhythm, but Banks' gravelly voice still lurks through, reminding you that it is an Interpol song.

Interpol has often been compared to '80s Brit rockers Joy Division, probably because Banks sounds similar to Ian Curtis' dark voice, but Interpol have many other influences. They are clearly from the school of Television, and the final song on the album, "Leif Erikson," screams of David Byrne's most recent solo work. Much of their guitar work is also reminiscent of Radiohead.

But in the end, Interpol is their own band, and their sound is original and beautiful. It's prime music to listen to while lying in bed depressed, but somehow it was also fueling my energy while unpacking. "Turn on the Bright Lights" is a talented first offering from an indie New York City group that is not trying to be The Strokes.



- Devorah Klein