Channing Tatum, the star of the recently premiered film The Eagle, was in Boston on Jan. 31 to promote and answer a few questions about his role in the new period piece set in classical Roman times.
I love to listen to opera in my spare time. For example, right now I'm listening to La Traviata, one of Verdi's most influential and popular works.
On Saturday, Brandeis hosted its first-ever dance marathon, joining forces with the Children's Miracle Network to raise money for the Children's Hospital Boston.
There are a formidable number of great films this season surrounded by Oscar buzz. There is the highly acclaimed and controversial film The Social Network, about the titanic networking giant, Facebook; the most star-studded and raved-about sci-fi film, Inception; and several worthy others.
Everyone has been touched by the arts in some way or another, whether it's obvious or not. Everyday, one can listen to the radio and hear the latest pop song, the result of an intense collaboration between dozens of very talented and creative people-though the quality of the final product of this collaboration can be disputed.
The Nutcracker, with its long-beloved melodies and secure dominance over the airwaves of the holiday season, has returned to Beantown alongside the creeping Bostonian chill.
To be honest, I'm not really a jazz person. I prefer classical music. Something about eighth-note runs that are not straight scare me.
Correction appendedI first realized that the Brandeis Theater Company was going to perform Sunday in the Park with George when I picked up the State of the Arts magazine published each semester and skimmed through it.
The Boston Ballet's production of La Bayadaere by Marius Petipa is a lavish and extravagant affair, a simple story whose execution is anything but.
The Shubert almost feels like home now. Some of the greatest opera in Boston is performed here, and there is a reassurance that fills each gilded corner: one knows that whatever is being played that night will be exquisite.
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