A Gaelic gala at Slosberg
In a welcome change from its usual classical selection, the Slosberg Recital Hall echoed with Celtic music Friday night.
In a welcome change from its usual classical selection, the Slosberg Recital Hall echoed with Celtic music Friday night.
Manginah's spring show Sunday night in Slosberg Recital Hall featured a variety of Israeli pop and traditional Jewish melodies, complimented by the all-American Starving Artists.
Brandeis students find many reasons to stay up late: procrastinating, doing last-minute work because we procrastinated, looking at nothing on Facebook for hours on end.
Wandering through The Rose Art Museum's Mildred S. Lee Gallery Friday, casual spectators must have been amused at the conversations flying by their ears.
A brilliant mlange of colors, shapes and emotions dominate "Collaboration," an exhibit featuring multimedia works from intermediate studio art classes, on display in Spingold's Dreitzer Gallery through Mar.
In a testament to its continuing popularity, B'Yachad's annual Standing O! packed the Shapiro Campus Center Theater Saturday night despite the evening's tempestuous weather forecast.
Saturday's New Music Brandeis concert opened with a startling bang. Eliot Gettegno, a professional musician, wonderfully executed a solo titled "Sketches for Solo Soprano Saxophone," written by Derek Jacoby (GRAD). Gettegno made every note on the saxophone seem completely effortless-you could see the intensity with which he played, watching him push his breath through the instrument.
As the lights went down on a packed Slosberg Recital Hall Saturday night, four talented musicians took up their bows in unison.
Once a prodigy pianist and composer, perhaps among the ranks of Igor Stravinsky and Arnold Schoenberg, 20th century experimental Russian composer Leo Ornstein abruptly retreated from public life in the early 1930s out of disgust with the musical world.It was then that the eccentric Ornstein built his own music school, which he ran until his retirement in 1958.
While researching for her Ph.D. dissertation in the late 1980s, Theresa Rebeck (M.A. '83, M.F.A. '86, Ph.D.
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