The work, which consists of a series of videos, envisions a post-apocalyptic version of the Holy Land, in which its female inhabitants are forced to traverse the terrain on various obstacles that keep their bodies from making contact with the earth.
While the majority of this weekend’s moviegoers shelled out their hard-earned money to “Captain Marvel,” several releases from the past few weeks faded into box office obscurity.
The Golden Globe Awards broadcast, held on Jan. 6, saw the Hollywood Foreign Press Association honor the 2018 achievements of the film industry and adhered to most early forecasts for predicted winners in the film categories.
Something special made its way onto the stage of the Shapiro Campus Center Theater over the weekend.
Dibble’s deliberate choreography, much of which brought the entire cast onto the small stage of the Laurie, never once was too busy, miraculously crowding up a space while also creating room to breathe.
On Oct. 4, the Wasserman Cinematheque hosted a special screening of Debra Granik’s ‘85 “Leave No Trace.”
Put simply, “The Young Marx” is painfully boring.
Last Sunday afternoon, overcome by a mid-April winter storm, eager audience members packed into Ridgewood Commons to see a dance performance from Toxic.
The biopic is a Hollywood hallmark, and like all hallmarks, it is rife with clichés: the lovable protagonist with whom you side, the uplifting ending and the agreeable supporting characters. A biopic lacking these elements is hard to find, and those without them are rarely successful. But “I, Tonya,” Craig Gillespie’s unorthodox portrayal of the life of American figure skater Tonya Harding, is a biopic that leaves all the typical boxes unchecked, making for a deliciously dark comedy.
Every year, with the arrival of the fall and winter months, we are blessed with a surplus of fantastic films which showcase directors, actors, cinematographers and composers at the height of their respective crafts. Last year gave us Guillermo del Toro’s monster masterpiece, “The Shape of Water,” Luca Guadagnino’s “Call Me By Your Name” and Paul Thomas Anderson’s “Phantom Thread,” which features three-time Oscar-winning actor Daniel Day-Lewis in what may very well be his final role; just a few months ago, the veteran thespian announced his retirement.
Brandeis’ 2026 commencement choice is a cowardly, hypocritical cash grab
Crown Center teach-in discusses the United States, Israel, Iran and the Middle East at war
Faculty meeting sheds light on University's marketing plan, future of Brandeis Core
Sherman reopens following the February fire
A sea of green