Advance social progression through discourse and advocacy
The world seemed headed on a very different path in August 2013, when I first entered Brandeis University.
The world seemed headed on a very different path in August 2013, when I first entered Brandeis University.
As America grapples with the consequences of electing an orange moron, the collective news media has had more than a little navel-gazing to do.
The home of the American musical is New York City’s Times Square, where pedestrians can make a 360-degree spin and be staring at advertisements no matter where they look.
As they walked into a tucked-away classroom in Goldman-Schwartz on Wednesday, students could have been forgiven for needing a moment to blink and double-take.
In English-speaking countries, South Korean director Park Chan-Wook’s latest film is called “The Handmaiden.” In Korea, it’s called “Agassi,” which is a polite term for a young woman, often translated as “lady.” The Korean title captures much more of what Park’s latest masterpiece is really about: femininity, etiquette, tenderness and its absence.
Here’s a challenge: how do you make a crowd of parents out with their college-aged kids laugh at a stand-up show? Who’s going to crack up at a raunchy sex joke when their parents are sitting next to them?
Faculty discusses University rankings in the U.S. News and World Report, retention rates and confirmed microcredentials
Berlin Chapel is damaged in electrical fire sending students into action
Opinion: More than Morant
Brandeis announces five new microcredentials for spring semester
Inside the Conversation on AI and Politics