The Siegel
The Free Play Theatre Cooperative presents "The Siegel!" Not laughing at this wacky, yet profoundly satirical title?
The Free Play Theatre Cooperative presents "The Siegel!" Not laughing at this wacky, yet profoundly satirical title?
"Trauma becomes transmittable, understandable through performance," said founding director of the Hemispheric Institute of Performance and Politics Diana Taylor before the Grupo Cultural Yuyachkani's production of Adios Ayacucho last Sunday.
Although The Twilight Sad show at Cholmondeley's was free of charge last Saturday, attendees paid nonetheless: not with money, but with those cells in your eardrum that enable you to hear.
If you were not in the Slosberg Auditorium Wednesday at 8 p.m., then you missed the opportunity to hear, see, experience and be engulfed in the harmoniously soulful reverie of wavy chord intervals, sailing cadences and vivacious body gyrations of a cappella ecstasy.
The silky smooth stroke of the bow generated chords of dissonance and harshness, not necessarily pleasant to an untrained listener's ear.
"Don't blow a gasket," one might have thought as Gutbucket's Ken Thompson tested the limits of his saxophone's range over a banging snare drum Thursday at Cholmondeley's.
CORRECTIONS APPENDED AT BOTTOM:Many founders of the punk rock movement were deeply influenced by their Jewish backgrounds, said author Steven Lee Beeber in Cholmondeley's Thursday in a panel with Professors Jonathan Sarna (NEJS) and David Cinningham (SOC), along with WBRS DJ Andy Meyers.
"Call in call out-collinear. Go insane!" No, you probably won't hear those lyrics at the clubs as a call to go crazy on the dance floor.
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