I had never been to a drag show before I walked into the Levin Ballroom on May 1. I knew little of what to expect other than what I'd gathered from movies and about one and a half episodes of RuPaul's Drag Race.
Hirst sings, writes her own music and lyrics and plays the guitar and ukulele.
Johnny Depp has long fostered the identity of the bizarre outsider. Often, it seems as though he purposefully picks the most caricature-like, cartoonish roles he can find, looking to escape anything with a traditional leading man.
Reality show singing competitions may have originated back in the late '90s (anyone else remember Say What?
Free Play Theater Cooperative's rock musical Next to Normal, which ran this past weekend in Schwartz Hall, examines the life of a suburban family fighting against matriarch Diana's (Abigail Clarke '12, who was also the production's vocal director) chronic mental illness. Diana is bipolar (though at one point she explains, "Bipolar doesn't quite cover it.") and experiences bursts of manic energy, though she tends to feel anxious and depressed most of the time.
Student Events and WBRS finally announced the fourth act performing at SpringFest shortly after students returned from Passover and spring recess. Low-fi singer-songwriter Ramona Gonzalez, a.k.a Nite Jewel, a Los Angeles-based artist who released her first album, Good Evening, in 2008, will be joining headliner Childish Gambino and openers fun.
Scientists are not entirely sure of the evolutionary purpose of the female orgasm. It may be a physical fluke, created because all fetuses start with the same building blocks, regardless of gender, and therefore men and women end up with some of the same bodily abilities.
Rachel Klein '12 was inspired by feminist artist Kiki Smith's "Lucy's Daughters," to create an interactive dance piece for the upcoming Festival of the Arts.
May Day began as an ancient pagan holiday to celebrate the coming of spring. At Brandeis, this celebration has been a long-standing tradition.
You walk into a darkened theater populated by an audience grouped in twos and threes. On the screen, images twist about, a combination of avant-garde film techniques and accidentally unfocused camerawork. You're at Indie Louies' third annual film festival, hosted by the Brandeis Film Collective.
“A liberal arts for tomorrow”: Brandeis’ new model for higher education
BEMCo in the basement: supervisors speak on recent policy changes
“New Year, no genocide”: Brandeis Jewish Bund hosts first vigil this year
Will Art Survive? The Kennedy Center and Smithsonian under Trump
The 77th Emmy Awards: A celebration of (and frustration with) streaming, and records shattered