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This fall, Brandeis University is set to host the inaugural Albertine French Film Festival, bringing a rich selection of contemporary French films to campus. Through a series of screenings at the Wasserman Cinematheque, running from Oct. 25 to Nov. 19, the festival will showcase works that resonate with global audiences while also offering a glimpse into French perspectives on such issues.
This film was a “hard watch” in the most literal of senses.
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One of the most celebrated pieces in film history, Stanley Kubrick’s “2001: A Space Odyssey” — based on Arthur C. Clarke’s book of the same name — is revered as a technical wonder and exists in an interesting contrast to his other, often grotesque or disturbing films. The science fiction movie is essentially a story of progress and evolution, beginning with our ape ancestors and taking us well into the future of humanity. Here is a spoiler-free review of my favorite movie of all time!
Brandeis’ Craft Market returned to campus on Saturday Sept. 28 as booths of students and local artists populated the Fellows Garden. Pottery, keychains, crochet and illustrations showcased the unique skills of new and returning sellers. Though the event leadership recently changed to the Brandeis Art Club, the new forces behind it show that the community’s dedication to the arts is difficult to squash.
On a chilly Tuesday evening, Boston University Radio and the Rose Art Museum collaborated in curating a public forum and conversation surrounding Hugh Hayden and his collection “Home Work.” The conversation, held at WBUR City Space in Boston on Sept. 24, started promptly at 6 p.m. as journalist and artist Arielle Gray led the conversation surrounding Hayden’s work as it pertains to Black and brown communities.
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On Friday, Sept. 20, the Rose Art Museum announced via an Instagram post that on Tuesday, Sept. 24 at 6 p.m. Hugh Hayden, the artist behind the Rose’s current exhibit “Hugh Hayden: Home Work,” will discuss his work “highlighting his visceral and multilayered sculptures that integrate the ‘American Dream.’” The conversation will be moderated by WBUR reporter Arielle Gray. Tickets are free to all who register for the event through the Rose’s Instagram link tree.
In the first days of the fall semester, a new Instagram account cropped up with the name “Brandeis Protects Artists.” In their “Who are we?” statement on Instagram, BPA explained, “Our mission is to foster a united front for artists from diverse backgrounds through unions, support groups, and initiatives that protect and promote creativity in every field. We are committed to expanding resources and opportunities for artists, ensuring they have the support needed to thrive.” This statement seemingly came in response to the diminishing value Brandeis has for arts programming. In the past year, the University has cut the doctorate programs in musicology and music composition, in addition to Brandeis Arts Engagement, a vital resource for students across disciplines interested in the arts. With staff layoffs and budget cuts, many feel the University is failing to prioritize and honor the “arts” segment of a liberal arts institution. In creating BPA, students are pushing back.
In the face of violence and conflict in our world, we must ask: How can we repair the fractures within our communities? How do we heal, rebuild and grow in the aftermath of strife?
While the job of a journalist is not glamorous, the profession is frequently represented as a mere narrative tool in popular media. Journalists are often portrayed as plot devices, reducing them to conveyors of information that advance a larger story. This portrayal can be problematic both in the rhetoric it creates surrounding the profession and the way it invalidates some of the world’s most influential storytellers. However, when the journalist is placed in the coveted leading role, the entire nature of the story can shift.
As the film adaption of the 2016 Colleen Hoover novel “It Ends With Us” rolled into theaters, social media became flooded with rumors of cast drama, product marketing, and clips of actress Blake Lively telling audiences to “grab your friends, wear your florals” and flock to the theaters. Given this marketing, I was not sure what to expect when I walked into the cinema. Nevertheless, as the movie ended, I stared straight into the screen displaying the end credits. I could not believe how fast my heart was pounding, how many tears were streaming down my face. This movie was too personal and too real for too many of us.
Diane Meyer is a junior double majoring in english and studio art. She is also on the track and field team as well as being an editor for The Justice. Her favorite part about participating in Brandeis in Siena was exploring Italy and eating the best tomatoes she’s ever tasted.