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The men and women’s fencing team showed off their skills in their first home event of the season, as the teams went for two medals against some of the nation’s top fencing competition.
This past weekend, the University reached a new athletic peak: placing two teams in the Final Four of the NCAA Tournament.
Climate change is real, and it is caused by human activities — but Donald Trump is employing a climate-change skeptic, Myron Ebell, as head of his Environmental Protection Agency transition team, and that will only make global warming worse.
Alexander Hamilton begins Federalist Paper number 68 by declaring that the agreed-upon mode of selecting the nation’s executive was uniquely uncontroversial and had received only the “slightest mark of approbation from its opponents.” Hamilton goes on to laud the compromise for its fundamental purpose: thwarting the efforts of tyrannical, popularity-driven politicians and instead entrusting knowledgeable, trustworthy electors to make the decision for the country. Today, the same system is being excoriated for its failure to fulfill this purpose.
Brandeis’ Adagio Dance Company showcased its multifaceted talent in the Levin Ballroom Thursday night at its “Keep Calm and Dance On” dance exposition. Along with Brandeis performers, there were also performances by Simmons College, UMass Lowell and Bentley University.
Becky Winkler ’07 did not expect to publish a cookbook when she graduated from Brandeis with a bachelor degree in Psychology and Latin American Studies. While working as a part-time speech therapist, Winkler published her first book, “Paleo Planet,” in 2015.
In efforts to further reduce the community’s carbon footprint, the University implemented online ride sharing platform “Commute Green” for daily commuters, according to an email to faculty, staff and students yesterday from Manager of Sustainability Programs Mary Fischer.
Animal abuse comes in many shapes and forms. I tend to live by the People for the Ethical Treatment of Animals motto: “Animals are not ours to eat, wear, experiment on, use for entertainment, or abuse in any way.” On Nov. 2, PETA debuted a controversial video that reflects this message. The ad features survivors of rape and sexual assault who echo messages of feeling worthless and powerless before their assaulters. At the end of the video, the women hold up signs with images of a cow who has to go through a similar horror. The ad ends with one message: “Every year, billions of animals are born into the meat, egg, and dairy industry. Almost all of them are a result of forcible artificial insemination. Almost all of them are a result of rape. Don’t participate. Go vegan.”
Due to changing technology, the music industry has undergone a drastic, seemingly irrevocable change within the past twenty years. The impact of technology on the music industry emerged as a major theme of discussion in “The Dialogues: Global Music Industry Leaders.” The panel discussion this past Thursday in Slosberg Recital Hall featured five guest speakers who have spent their careers in the music industry and offered first-hand accounts of working within the industry, as well as their thoughts on its evolution. The panel also served as a mark of Brandeis’ close relationship to leaders of the music world, since all of the speakers were either alumni or parents of current students.
Graffiti Room
It’s the end of a royal era. At the end of this semester, Usen Castle will officially be closed as a residence hall for undergraduate students. The iconic building has existed as part of Brandeis since the University’s inception. Students, faculty, alumni and Waltham residents alike lamented the news when it was announced in January that parts of the Castle would be demolished to make room for a new dormitory. Though there have been multiple attempts to prevent this change to the Brandeis landscape, the University has announced no changes to its plan regarding the building. There can be no doubt that, for many, the Castle is quintessential to the Brandeis campus, yet the castle was first constructed as part of a different university.
Corrections appended.
On Oct. 25, the Southern Poverty Law Center published a “Field Guide to Anti-Muslim Extremists,” a manual that, antithetical to its aim, distorts, rather than illuminates, reality.
On Sunday night, Nov. 6, Brandeis students gathered to eat delicious comfort food and mingle with old and new friends. The event was advertised as “Black Is Delicious” and was what many consider to be the highlight of “Black Is Week,” a week’s worth of fun and inspired events run by the Brandeis Black Student Organization (BBSO). The annual event consists of “Black Is Power,” a discussion on the role of being Black in America; “Black Ain’t New,” a fun dance party at Chums; “Black Is Delicious,” a communal meal with traditional comfort foods and “Black Is Self-Love,” which is a relaxing study break to hang out with friends. The culmination of these events is “Election Day,” where BBSO invites all students to watch history unfold with the comfort of a nacho bar.
The women’s soccer team completed its regular season on Saturday with a 1-1 draw on the road at New York University. The Judges end their regular season with a conference record of 2-3-2 and an overall record of 13-3-3, with a post-season matchup still to come.
Humor and the Holocaust are two things many would never expect to see go hand in hand. The genocide committed by the Nazi regime resulted in the deaths of an estimated 11 million people. To most, this wouldn’t elicit comedy. Last Friday, the lecture “Jewish Humor and the Holocaust” challenged this.
“I’ve decided that I’m completely corrupt,” reads the start of a letter tucked inside the Farber University Archives. It continues, “My whole set, my economic success, is wholly dependent upon the existence of segregation, violence, crime and other odious counterparts.” The letter, addressed to music critic Ralph Gleason, was written by comedian Lenny Bruce. It identifies an interesting paradox in Bruce’s life, one of many harsh realities that contrasted a life filled with humor.
In 1972, Judy Chicago, an American feminist artist, conceived “Menstruation Bathroom” (1972), as a part of the Womanhouse Exhibition that highlighted the taboo of the menstrual period. The sculpture featured a trashcan filled with bloody, used tampons in a stark white room. The piece elicited strong reactions from male viewers and served as an alarming example of a menstrual period taboo ― one that still remains to this day. The discussion of periods remains limited, and products such as tampons and pads remain taxed in the majority of U.S. states while products such as Rogaine and potato chips are not, according to a April 20 Newsweek article. This perpetuates a level of economic equality for women.
The floor of the Laurie Theater, in Spingold Theater Center, is covered in a dark yellow sand. Pillars rise from it, shrouded in eerie light. A woman appears in a pure white wedding dress. She collapses on the ground.
Undocumented immigrants often face challenges in attaining a college education, including fluctuating immigration law, rising costs associated with becoming a citizen and varying admittance policies for private and public institutions, a panel of speakers said on Wednesday.