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(10/21/25 10:00am)
Starting fall 2026, Brandeis will offer a Quantitative Economics major. The major will aptly be housed in the Economics department. The Brandeis website states that the new major “provides quantitatively-oriented students an opportunity to incorporate more advanced mathematics into their Economics degree.” The requirements for the major will emphasize the relationship between in-depth mathematical and statistical study and economic analysis.
(10/21/25 10:00am)
“Goon,” a Los Angeles-based indie rock neo-psych band, performed at Warehouse XI in Somerville on Oct. 2. The band — consisting of frontman Kenny Becker, drummer Andy Polito, guitarist Dillon Peralta and bassist Tamara Simons — took to Boston as part of their first headline tour across the U.S. following the release of their album, “Dream 3.” As its title suggests, the record feels like a sequence of dream-like landscapes, each vibrant with their lush vocals and spacious reverb, yet bearing a profound sense of turbulence. Much like the anxiety that permeates the most idyllic dream, Goon’s third full-length album exists in this atmospheric tension. Becker spoke to The Justice about how the record came to be this way, and the aesthetic visions that shaped it.
(10/21/25 10:00am)
By now everyone has heard of Artificial Intelligence, but not of the unprecedented ways in which it’s being used. I’m not talking about AI being used to make art, businesses or to assist students with school work; I’m talking about misled people falling in love with AI chatbots. On the social media platform Reddit there is an online community of individuals that have romantic relationships with AI chatbots called r/MyBoyfriendIsAI, with approximately 28,000 members. It was founded on Aug. 1, 2024, and the community description reads as follows:
(10/21/25 10:00am)
Departing from traditional senses of curation in response to the unique histories of Indigenous Americans, the Institute of Contemporary Art opened “An Indigenous Present” on Oct. 9 featuring site-specific works done by Indigenous contemporary artists. This exhibition is educational at its surface, tracing the history of certain pillars within contemporary Indigenous art. Curators Jeffrey Gibson and Jenelle Porter undoubtedly sought to reimagine the possibilities of curation for Indigenous art. Before diving into the experience of the exhibition, it must be noted that this article will not be similar to other exhibition reviews I have done in the past. Continuing the work that Gibson and Porter started in their unconventional yet just presentation of the genre, I aim to describe my experience within the galleries, discussing the art, the artist’s words and not relegating these artists to their origins. As the Indigenous Artist has been restricted to a Western understanding, I plan to write without consideration for comprehension. This curatorial experience may confuse, complicate and obfuscate the preconceived notions a viewer has, I can only hope to translate such an elation in the restrictive written word. I have chosen to present some works of the many that you can see at the exhibition, and I encourage you to go to the exhibition to see all of them.
(09/30/25 10:00am)
Tucked away in the back of Goldfarb Library is the Automation Lab — home to DeisRobotics, Brandeis’ very own robotics club, which competes regularly in National Havoc League tournaments in Norwalk, Connecticut and holds informative workshops for students interested in engineering and associated skills. Last semester, the team qualified for the NHRL world tournament and won second place in the Massachusetts Institute of Technology’s Combat Robot Competition.
(09/30/25 10:00am)
Becky Behar, winner of the 2025 Isaac Anolic Jewish Book Arts Award, presented a viewing of her photos at the Kniznick Gallery at The Women’s Studies Research Center from Sept. 4 to Sept. 18. A new-age photographer, Behar was brought up under Sephardic Jewish heritage and descends from the diasporic population expelled during the Spanish Inquisition in the late 15th century. Her work titled “Tu Ke Bivas” has been derived from a Ladino — or Judeo-Spanish — language, blessing her parents often invoked: “May you live, grow and thrive like a little fish in freshwater.” Behar’s photos imbibe her culture and traditions through the enactment of her mother and daughter performing these rituals today. Although her family’s migration led her through Turkey, Columbia and ultimately the United States, her Ladino language, Jewish religion and Sephardic customs remained few of the only constants in her life.
(09/30/25 10:00am)
The Brandeis Board of Trustees has named Arthur Levine ’70 official president of the University at the Sept. 16 installation ceremony held in the Napoli Room at the Gosman Sports and Convocation Center. Joined by about 60 trustees, senior administrators and several local alumni and donors, Levine was sworn in and presented the University medallion and charter. Having served as interim president since Nov. 1 2024, following president emeritus Ron Liebowitz’ resignation, Levine has taken office as tenth president of Brandeis.
(09/30/25 10:00am)
Spanning from Sept. 11 to Sept. 16 was New York Fashion Week. This semiannual event kicks off fashion month. NYFW is followed by all the other fashion capitals — London, Milan and Paris. These four events shape women’s wear for the upcoming spring and summer seasons.
(09/30/25 10:00am)
Since President Donald Trump’s return to the Oval Office, he’s taken on a great number of responsibilities.
(09/16/25 10:00am)
On Wednesday, Sept. 10, President Arthur Levine ’70 invited academic policymakers, press and alumni to Washington D.C’s National Press Club for a panel discussion about Brandeis’ plan to “reinvent the liberal arts.” The Board of Trustees Executive Vice President, Cynthia Shapira, welcomed panel attendees. Massachusetts Senator Ed Markey then provided opening remarks and expressed his desire to see the “Bay State” become the “Brain State” by delivering “accessible, responsible and effective” education to all. Markey concluded that the American Dream should be delivered through “higher education, not less education.”
(09/16/25 10:00am)
If you have had the fortune to visit the Rose Art Museum previously, whether to see the stunning surrealist imagination of Leonora Carrington, or the examination of ethnicity, romance and gender that Salman Toor has evoked, or even to relax and see the permanent collection of Lichtensteins and other modern oddities, you may have heard about the museum’s fall celebration last week. An opportunity to engage with all the current exhibitions, meet and mingle with artistic personalities and professionals and explore an interesting part of campus, this year’s celebration was a beautiful coming together of people of all backgrounds. As a writer for the Arts and Culture section, I couldn’t miss the opportunity to snack on some amazing hors d’oeuvres while viewing the collection and new exhibitions at the museum. “Danielle Mckinney: Tell Me More” and “Fred Wilson: Reflections” were the two special temporary exhibitions on view during the celebration and are still open to the public. This article will cover four works that are beautiful representations of the Rose’s work this season.
(09/16/25 10:00am)
“Welcome to the 77th Emmy Awards. You know, it’s not a big one like 75 or 80, but it’s the one they gave me,” stated comedian Nate Bargatze, launching Sunday evening’s awards into motion. The presentations at this year’s Emmys certainly lived up to Bargatze’s description; nothing too big, splashy or potentially controversial, save for the occasional swear in an acceptance speech — thank you, John Oliver. The opening sketch was filled with noticeably self-aware commentary on how television has changed in recent years, including how streaming is “unfair to the consumer” — the character who says this is then promptly asked to leave — that many winning shows are never watched by the majority of people and how an Emmy is just not quite as good as an Oscar. However, that didn’t make the victories any less well earned, and here is a summary of the biggest wins.
(09/16/25 10:00am)
“A one stop shop.” This was the motto that Jeff Bezos sold to his employees when he launched Amazon. Companies and corporations at their cores are set up to sell products to consumers, and turn profits. However, when do we as people draw the line between overconsumption, and need-based consumption? And as consumers are we just as guilty of overconsumption, as the brands pushing us to a capitalistic limit?
(09/16/25 10:00am)
Welcome back, Brandesians, to the second edition of The Opinion. In the previous edition, I discussed the intensity of University clubs — with many clubs mirroring today’s politics and stressors, which many students prefer to avoid. I argued that clubs should be taken less seriously not only for the betterment of students’ mental health, but also to improve campus culture as a whole. Today’s opinion will tackle a topic that I have heard discussed in the library numerous times.
(09/10/25 10:00am)
On Sept. 3, six Brandeis unions held a cross-union rally on the Great Lawn, starting at noon. The unions represented were the Brandeis Library Worker’s Union, Service Employee International Union Local 888, SEIU Local 509, SEIU 32BJ and the University’s newest union, Research and Academic Staff SEIU 888.
(09/09/25 10:27am)
Faculty and staff gathered in the Rapaporte Treasure Hall for the meeting as Chair of the Faculty Senate, Prof. Jeffrey Lenowitz (POL), opened the meeting by welcoming everyone and outlining the day’s agenda. He also noted that a special faculty meeting will be scheduled in the near future to address the implications of recent executive orders on the University which impact federal funding and international student enrollment. Lenowitz then turned the floor over to University President, Arthur Levine ’70.
(09/09/25 10:00am)
At the start of this new academic year, marked by leadership changes, University restructuring and ongoing geopolitical issues, The Justice Editorial Board hopes to give the student body a comprehensive look into the state of Brandeis as it stands today.
(09/09/25 10:00am)
Hello everyone! I would like to welcome you back to campus and to another semester of amazing arts and culture experiences. Whether this is your first semester or you are a returning student, you should always be aware of the cultural and artistic events happening in and around your community. Do not miss opportunities to enjoy yourself and to best support the works of others.
(09/09/25 10:00am)
I had the wonderful opportunity of visiting the Museum of Fine Arts, Boston’s “Van Gogh: The Roulin Family Portraits” exhibit just before it closed on Sunday, Sept. 7. The exhibition was an in-depth look into Vincent Van Gogh’s relationship with the art of portraiture, the Roulin family and his struggle with mental illness during the last years of his life. It featured 23 different Van Gogh works, both owned by the Museum of Fine Arts and works on loan, along with formative portraits from previous Dutch masters, Japanese woodblock prints and letters sent to Van Gogh from Joseph Roulin. Curated altogether, the exhibit showcased Van Gogh’s portraiture of the Roulin family and painted a tender portrait of the artist himself. The exhibit was a look into what he admired about other artists and art forms, how he brought those inspirations into his art and his deeply important relationships with his family and friends.
(09/09/25 10:00am)
