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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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Lack of funding forces 'wind down' of Schuster Institute for Investigative Journalism

(01/22/19 11:00am)

After struggling to find the necessary funding, the University made the decision to officially close the Schuster Institute for Investigative Journalism on Dec. 31, 2018, Provost Lisa M. Lynch announced in a Dec. 20 email to the Brandeis community. The Schuster Institute, the nation’s first investigative reporting center based at a university and made possible by a generous donation from Elaine and Gerald Schuster, opened 14 years ago at Brandeis. Since its founding in Sept. 2004, the Institute’s team of editors, reporters, fellows and student research assistants worked to preserve investigative journalism as media outlets cut back on that type of reporting.



President Liebowitz announces "springboard" funding plan for University

(01/22/19 11:00am)

The administration put forth a $73 million proposal, termed “springboard funding,” that will address gaps in University operations that must be filled before pursuing a major capital campaign, University President Ron Liebowitz announced in a Jan. 11 email to the Brandeis community last week. The proposal is split into two parts and spreads spending over three years, allotting $47 million for incremental operations and $26 million for capital expenditures.






Writer and actress Anna Deavere Smith receives 2019 Richman Distinguished Fellow in Public Life

(01/22/19 11:00am)

In a celebration of her public service, Anna Deavere Smith, the Ann O’Day Maples Professor of the Arts at Stanford University, is the recipient of the 2019 Richman Distinguished Fellow in Public Life, according to a Jan. 15 BrandeisNOW article.



Artist examines past and present of Israeli museum

(12/11/18 11:00am)

The story of exile from and return to a holy land is a timeless theme in Israeli art, but the artistic medium and style of Zionist representations have adapted to a technologically growing world, Israeli artist Nevet Yitzhak explained to the Brandeis community during her talk Thursday. The event was co-sponsored by the University’s Schusterman Center for Israel Studies and the Isabella Stewart Gardner Museum. Many of the audience members were students of the Fine Arts course “Palestinian and Israeli Art, Film and Visual Culture: Intersecting Visions,” taught by Prof. Gannit Ankori (FA), who also attended the event. 


Paint night teaches students about Jewish, Islamic art

(12/11/18 11:00am)

Common Ground hosted a paint night on Thursday for members of the Brandeis community to make and learn about Islamic and Jewish art. Common Ground is a student-run club whose mission is “to unite Brandeis students for the purpose of understanding Judaism and Islam as complex religions with a lot of similarities and differences.” Its slogan is “together we can help everyone gain better knowledge of two commonly misunderstood religions,” according to their Facebook page.



Facing the music

(12/16/18 3:01am)

Avi Hirshbein ’19 could have pursued his passion for music the old-fashioned way. Upon arriving at Brandeis, he might have honed his musical abilities by taking lessons in the three instruments he taught himself to play: the piano, the guitar and the ukulele. If that had gone well, he could have joined the Brandeis orchestra or a student ensemble. Instead, realizing the odds of fame and success as a musician were remote, he decided to create his own record label called Basement Records.


Documentary Sings to Your Soul

(12/04/18 11:00am)

Earlier this month, the Introduction to Creativity, the Arts, and Social Transformation class  hosted a screening at the Wasserman Cinematheque in place of a lecture. The Nov. 6 class screened “Because of the War,” a documentary about four female singers who immigrated to the United States to escape the civil war occuring in their homeland, Liberia. The war caused a mass migration of refugees toward the neighboring countries of Ivory Coast and Sierra Leone. The four women, Tokay, Zaye, Marie and Fatu, all found themselves in Pittsburgh’s Liberian community. Anthropologist Toni Shapiro-Phim, who attended the screening, documented their individual stories as director of the feature.


Cleveland museum curator leaves legacy of Chinese exhibits

(12/04/18 11:00am)

Noelle Giuffrida, a research associate and an affiliate faculty member at the Center for East Asian Studies at the University of Kansas, gave a lecture on Tuesday about the curation and study of Chinese art. Giuffrida’s talk, “Episodes in the History of Studying and Exhibiting Chinese Art in Postwar America,” focused on American museum director and curator Sherman E. Lee and how his work contributed to the integration of Chinese art into the American art scene. The event was sponsored by the University’s Fine Arts Department. 




Small cast, gigantic emotional impact

(11/20/18 11:00am)

Pitch darkness is suddenly interrupted by fluorescent lights, illuminating five people lying on the floor. This is the opening of the Theatre Arts department’s “Circle Mirror Transformation,” a play outlining the relationships of five people as they take an adult drama class together at the Shirley, Vermont, Community Center. The set felt very natural in its asymmetry and the costumes were incredibly detailed — every shoe and t-shirt was reflective of the character wearing it. While captioning live theater is difficult, this production seemingly did it with ease. The dimly projected captions on either side of the stage never distract from the show for those who don’t need it, and are incredibly accurate and well-timed for those who do. The production quality overall is incredible, as expected from a department show.


Fall musical: ‘Godspell’

(11/20/18 11:00am)

To rubberneck is to get a better view of an accident out of morbid curiosity as you pass it by. Last week in the Shapiro Campus Center Theater, you might say I was rubbernecking. From Nov. 15th-18th, the Undergraduate Theater Collective produced “Godspell,” directed by Nate Rtishchev ’21. The 1971 musical was written by John Michael Tebelak, with music by Stephen Schwartz. It is structured as a series of parables based on the Gospel of Matthew, with lyrics borrowed from traditional hymns.