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Problem With Choice
Protester Getting it Wrong
Finals Stress Cartoon
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MAKING THEIR VOICES HEARD: Alina Sipp-Alpers ’21, the Brandeis Labor Coalition coordinator, said that the rally outside the Bernstein-Marcus administrative building demonstrated that the librarians “would not back down until they were given a contract.”
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A community advisor provided a photo of the poster.
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Prof. Barry Shrage (HRNS) discussed Jewish pride and the decline of belief in God at the final multifaith dinner of 2018, hosted by the Department of Religious and Spiritual Life.
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THE DIGITAL AGE: Nevet Yitzhak’s exhibit at the Bezalel Academy, “Permanent Exhibition,” is digital, reflecting how the Academy’s collection of artwork has changed to include more modern pieces.
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FINALS STUDY BREAK: Nathan Inkateshta ’19 created canvas paintings as others made tissue-paper stained-glass art.
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SONG AND DANCE: Sophia Massida ’20, playing Feste, delighted theater-goers with both original and covered music.
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STUPOR: Sir Andrew (Eli Esrig ’19) and Sir Toby (Ryan Sands ’19) lay on the ground in a drunken haze.
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MARVELOUS MALVOLIO: Alex Wu ’19 as Malvolio gives Sebastian Olivia’s ring at her request, as a token of her attraction.
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PERENNIAL DUET: Emma Belkin ’21 as Clara and Eleanor Lavin ’22 as Dewdrop take center stage during the Waltz of the Flowers.
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MOURNING: At the play’s outset, Olivia (Rachel Greene ’20) is in perpetual mourning for her late brother.
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UNIQUE SNOWFLAKES: Dancers Liza Korotkova ’19 and Hannah Borgida ’21 (Clara and the Snow Queen) gracefully perform the Waltz of the Snowflakes.
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ACRO-RAT-IC: Ballerina Hannah DeRoche ’19 shows off her impressive core strength as the Rat Queen in The Battle Scene.
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This week, justArts spoke with Gabe Walker ’19, who directed Hold Thy Peace’s “Twelfth Night.”
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PRETTY IN PINK: Dance Revelasian, a Boston-based semiprofessinal dance company, came to Brandeis to perform at Jook-Sing.
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TOO MANY COOKS: Boris’ Kitchen players cower in fear as their companion points a gun at them.
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SANTA’S LIST: Perry Letourneau ’19 solemnly sits on Sarah Sharpe ’20 and asks her for outrageous gifts.