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ANXIOUS EYES: Lauren and Marty, played by Noa Laden ’20 and Zack Garrity ’20, share a nervous glance as they sit in a circle on the floor of the studio.
HULA SKILLS: Theresa (Haia Bchiri ’20) effortlessly displays her hula hooping prowess.
LEARN IN MOTION: Marty (Emily Pollack ’21), the eccentric drama teacher, proves an enthusiastic and hands-on instructor.
BRIEFLY IN LOVE: Theresa and Schultz (Peirce Robinson ’22) share an intimate moment during their fleeting romance.
FOREVER IS OUR TODAY: A vintage photo of Freddie Mercury performing live in San Diego in 1980, provocatively dressed in nothing but bellbottoms and a neck tie.
FESTIVAL VIBES: A glamor shot of Chris Pine, who plays Robert the Bruce in “Outlaw King,” taken at the 2018 Toronto Film Festival.
Artists Anne Lilly and Karin Rosenthal unveiled their new collaborative exhibit, comprised of Rosenthal’s stunning photographs and Lilly’s impactful sculptures, at Brandeis’ Women’s Studies Research Center on Thursday. The photographs focused on the naked human body — often in extreme close-ups — incorporating water to obscure certain body parts. Two of the four stainless steel sculptures also dealt with the human body and obscuring vision, interacting with the viewer and their body.
I never thought there would be bubbly energy in my biochemistry classroom. Everyone sitting in the audience was ready to have a good time as members of Brandeis’ improv troupe, To Be Announced, walked in along with the members of Bad Grammer in their joint show “Brains vs. Brawn.” While I wouldn’t normally agree to being in a science building more than I have to, I’m glad I did last Saturday. In all my time at Brandeis I’ve never attended an improv show, so I was anticipating something fun and new.
—Editor’s note: Nia Lyn ’19 performed in Night for Africa. She did not take part in editing this article.
This week, justArts spoke with Rachel Moore ’19 and Akshiti Todi ’19, co-presidents of the Adagio Dance Company.
WOMEN IN COMEDY: Abby LeRoy ’20 and Lena Burdick ’21 showed off their respective comedic abilities at TBA’s show last semester.
THROWBACK: Caroline Kriesen ’20 advises Seneca Scott ’20 to internalize all of his problems in a skit from last year’s showcase in Ridgewood A Commons.
MOVING PICTURES: The new exhibition features both intriguing photographs and mesmerizing interactive scultures.
By: Yvette Sei
By: Yvette Sei
The Platinum Step Team was one of the last Brandeis acts of the night, doing a routine inspired by Toy Story that pitted new toys against a group of old favorites. The competition style piece featured complex rhythms with both groups of toys coming together to finish the piece dancing as a whole.
Toxic Majorette Dance Line were incredibly synchronized; they kicked and jumped with precision. The group varied their energy throughout their piece switching between up-beat spirited choreography and more fluid calmer sections, making frequent use of ripples.
The dancers of Rebelle performed a fusion of Caribbean and modern dance styles, lighting up the stage. The group transitioned smoothly between complex formations throughout the piece, entertaining the crowd with a variety of patterns along with their choreography.
The Rwanda dancers performed a traditional dance. The women in the dance swayed elegantly from side to side, integrating their garments into the dance, using the fabric to accentuate their movements. The men in contrast, performed in a more energetic style alternating between jumping into the air and dancing in a squatting position.