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(01/24/18 12:05am)
REVIEW — Last Saturday was the premiere of the miniseries “MockU,” a satirical look into a liberal college’s theater department and the politically correct culture enveloping it. The production was the brainchild of its creator, Caroline Kriesen ’20, alongside co-director Emma Bers ’20 and co-writers Zoe Rose ’20, Alan Omori ’20 and Maryam Chishti ’20. This admirable and ambitious student project centered on a group of students from varying backgrounds (arts, pre-law, economics) who plan on participating in an Arts Festival for Diversity and Progress to protest the “Ronald Rump” presidential administration.
(01/23/18 11:00am)
REVIEW — There was a full house at Cholmondeley’s Coffee House last Wednesday night for WBRS’ Fresh Comedy Night. The host — Josh Day, a man with more hair than head — opened with a painfully unoriginal joke about not having a joke and followed it with a lowbrow pun. After several more minutes of awkward comedy and uncomfortable laughter, Day introduced Jiayong Li. Originally from Beijing, Li took up comedy five years ago to force himself to “go outside and talk to people.” Despite his apparent discomfort speaking in front of a crowd, Li’s deadpan style and impressive timing generated the first genuine laughs of the evening. His material centered on his experience acclimating to American culture as a Chinese immigrant, and the audience was surprisingly receptive. It is also possible, however, that the Brandeisian crowd was won over by Li’s harsh critique of white liberals. Regardless of the reason, Jiayong Li’s stand-up was thoroughly enjoyable and undeniably funny.
(01/16/18 11:00am)
This year’s Midyear Orientation Program welcomed 105 Class of 2021 students and 23 transfer students to the University community.
(01/16/18 11:00am)
After the November 2017 armed robbery incident on campus, attendees at the Dec. 7, 2017 student safety forum discussed how to maintain campus safety and improve relations between students and University Police.
(01/17/18 3:30am)
On Wednesday, Sodexo’s new app, “Bite,” was launched on the Brandeis campus, according to an email sent by Andy Allen, Brandeis dining service manager. The app has been designed to allow students and users to “view daily menus in the dining halls on campus at any given time” as well as “nutritional and allergen information for each dish, rate dishes, and provide valuable feedback to [Sodexo].”
(01/16/18 11:00am)
Review — January is that time of the year when we reflect on the good that has happened in the past 12 months and anticipate the good that is on the horizon. Sure, this is a healthy attitude to approach in terms of life choices, but I’m here in the Arts section to talk about movies. So, as I always do, I’ve completed my top 10 list of 2017. All of the featured films are arranged based on five criteria: the cinematic experience, its re-watchability, its impact to the genre, the overall filmmaking quality and the presence of a unique perspective. All of these are graded as at least an A-. Before we begin, here are some honorable mentions: “Okja,” “The Big Sick,” “Norman,” “I, Tonya” and “Molly’s Game.”
(01/16/18 11:00am)
Review — Every year, with the arrival of the fall and winter months, we are blessed with a surplus of fantastic films which showcase directors, actors, cinematographers and composers at the height of their respective crafts. Last year gave us Guillermo del Toro’s monster masterpiece, “The Shape of Water,” Luca Guadagnino’s “Call Me By Your Name” and Paul Thomas Anderson’s “Phantom Thread,” which features three-time Oscar-winning actor Daniel Day-Lewis in what may very well be his final role; just a few months ago, the veteran thespian announced his retirement.
(12/05/17 11:00am)
Clarifications appended.
(12/05/17 11:00am)
At the most recent Board of Trustees meeting and retreat, the trustees discussed, among other topics, a retirement plan for tenured faculty and the draft principles on free expression, according to an email from University President Ron Liebowitz. The trustees will address the hot-button topic of fossil fuel divestment at the January board meeting, he wrote.
(12/06/17 11:00am)
The saying “history repeats itself” has never been more prevalent than in the year 2017. I am not talking about how our current government slightly resembles 1939 (except we have the blessing of checks and balances — thanks, Founding Fathers). This year has been filled with the revival of television shows, sequels, remakes of movies and the comeback of various popular artists. One would think that 2017 was a revival of a culture that harkens back to the glory days of the early 2000s. Let’s begin our journey through 2017 by discussing the reboots in television.
(12/05/17 11:00am)
Review — If you walked in to Hold Thy Peace’s production of “A Midsummer Night’s Dream” expecting a somewhat-faithful adaptation of Shakespeare’s classic playthis weekend, you were definitely disappointed. I try my best to walk into Shakespeare productions with an open mind because the director will always have a unique vision or interpretation. However, I was still skeptical going forward. The play was staged in the Shapiro Campus Center’s multi-purpose room, which, beforehand, had not seemed like an optimal location for the play. I had also heard beforehand that the adaptation of the typically two-to-two-and-a-half-hour play was shortened to roughly 70 minutes.
(12/05/17 11:00am)
Review — It’s quite hard for me to find a show that makes me laugh. I consider myself to be a very tough audience member to please. I rarely laugh out loud, and my taste in comedy is quite distinct, being much darker than most. One group, however, has consistently made me laugh in the past: Boris’ Kitchen.
(11/21/17 11:00am)
According to a Nov. 13 New York Times article, Japanese-based Otsuka Pharmaceutical Company recently received Food and Drug Administration approval for a psychiatric drug featuring a digital tracking device. The pill is designed with a sensor that is activated upon contact with stomach fluids. A signal is then sent to a patch on the skin that records the time before it is transferred to a mobile application that allows users to enter mood, amount of sleep and other data. Some have already expressed concern about this technology, calling it a "Biomedical Big Brother." What do you think of this invention and does it seem beneficial?
(11/21/17 11:00am)
How serious is the opioid epidemic in America? On Nov. 16, Dean David Weil of the Heller School of Social Policy and Management and the Opioid Policy Research Collaborative co-hosted a film screening and panel discussion of the film “Warning: This Drug May Kill You” in the Wasserman Cinematheque. The HBO documentary takes a harsh look at the stunning effects of the opioid epidemic in America.
(11/21/17 11:00am)
Review — Rather Be Giraffes hosted “Turkapalooza,” a Thanksgiving-themed a cappella show, last Thursday night. This was the third in a series of “Acapalooza” events at Brandeis, beginning with Acapalooza this past spring and continuing with Spookapalooza in October. Mandel G03, where Turkapalooza was held, was not only decked out in festive Thanksgiving decoration, but also completely packed with excited attendees eager to support their friends and classmates. RBG performed last, preceded by Starving Artists, Voices of Soul, Up the Octave and Company B.
(11/21/17 11:00am)
BHANGRA: The penultimate dance, Bhangra, featured beautiful costumes and very intricate dancing.
(11/21/17 11:04am)
The men’s basketball team tipped off its 2017 to 2018 campaign this past week, opening the season with two consecutive losses. The squad dropped a close contest in its season opener at Suffolk University on Wednesday, its comeback bid falling short despite a stellar performance from star guard Eric D’Aguanno ’20. The team followed that loss with another close defeat, blowing a six-point halftime lead en route to a loss at the hands of Becker College on Saturday. The new-look Judges should expect early trials this season, as the squad strives to build chemistry on a team that features nine underclassmen.
(11/14/17 11:00am)
Throughout history, immigrants have traveled the world in search of a safe haven and a place to call home where they could live better lives. Abraham “AB” Troen’s ’14 film “Finding Home” showcased that by following the stories of three LGBT refugees who had immigrated to Los Angeles in search of a more accepting environment. The film screened in the Wasserman Cinematheque on Tuesday night, followed by a conversation between Troen and Prof. Alice Kelikian (FTIM) and a Q&A.
(11/14/17 11:00am)
Student Union President Jacob Edelman ’18 came to the Senate meeting on Sunday to nominate the Constitutional Review Committee. The Senate voted to approve the nominees.
(11/14/17 11:00am)
Review — Sterile. Raw. Complex. “The Killing of a Sacred Deer” is not unlike heart surgery. It’s slow. It’s careful. It’s layered. Yorgos Lanthimos’ new film takes a deep look into the peaceful home life of a heart surgeon (Colin Farrell) and his ophthalmologist wife (Nicole Kidman) together with their older daughter and younger son. However, their peace is disrupted when a neighborhood boy (Barry Keoghan) begins tormenting them for an undisclosed reason, shaking up their mild and dull lives in the upper class. What proceeds is a tense drama and a countdown of unknown terrors the father must prevent.
