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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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Senate considers chartering five clubs, hearing proposals from potential club leaders

(03/19/24 10:00am)

The Student Union meeting on March 17 consisted of multiple club presentations. Five clubs presented their case as to why they should be chartered or moved to probationary status and the Student Union voted on whether or not to accredit them. Four out of the five clubs passed the presentations. The fifth club, Business for Dummies, was not accredited by the Senate due to its resemblance to other clubs already established on the Brandeis campus.



TSA Formosa

(03/19/24 10:00am)

The Taiwanese Student Association presented their annual culture show; Formosa, on March 16 in Levine Ballroom. The immersive showcase captivated the audience with performances that demonstrated the meaning of unity through their theme: Dragon Boat Festival. The Dragon Boat Festival is a traditional Chinese holiday commemorating the ancient poet, Qu Yuan. The festival consists of dragon boat races and eating sticky rice dumplings called zongzi. Through this year’s theme, TSA encouraged the audience to embrace unity and to celebrate the meaning of togetherness. 


Reflecting on the past: Student art of today

(03/19/24 10:00am)

This past Wednesday, March 13, an exciting new post-baccalaureate art exhibition opened in the Dreitzer Gallery. Titled “Visceral Reflections,” the exhibit features four artists and a variety of art mediums. The four featured artists are Brianna Howard, Kelly Mangan, Pavol Roskovensky and Noelle Ventura. Each artist explored different themes, often drawing on their own backgrounds to help influence their work. At both entrances to the gallery there is a table with a black binder on it which contains information on each artist, the themes within their work, and their artistic process.




Gumbo ya-ya and the polyrhythms in African-American women’s quilting

(03/12/24 10:00am)

A childhood activity that many American students completed in school is the coloring of the Thanksgiving turkey. Some students chose to color the feathers in a random fashion, making them each one of their favorite bright colors. Other students colored the feathers in a controlled, pastel gradient. Just like with those turkeys and the various approaches to coloring them — each different but not better or worse than another —  there are no set rules that can be applied to any given artistic tradition. With this approach, the viewer shifts their mindset to the landscape of the individual piece and assesses it independently as a unique item, rather than one that needs to be measured against other works, styles or expectations. 


Dechartered club, Students for Justice in Palestine, holds vigil

(03/12/24 10:00am)

Students gathered in the Shapiro Campus Center Wednesday evening to honor the Palestinians that have died in the ongoing Israel-Hamas war, resulting in impassioned speeches, disdain towards the University and minor conflict with onlookers. The University’s chapter of Students for Justice in Palestine released a statement of return on Feb. 29. The group was derecognized by administration in November “because it openly supports Hamas” and “engage[d] in conduct that harasses or threatens violence,” according to Vice President of Student Affairs Andrea Dine in a Nov. 6 email to SJP. The destruction in Gaza since Israel declared war on Oct. 8 has spurred student activists to action in universities around the U.S., and Brandeis is no exception. In their first public pro-Palestine gathering since the Nov. 11 protest that ended in the arrests of seven people, SJP and the Revolutionary Student Organization expressed their support of the Palestinian people and their condemnation of Israel. 




The Hypercube concert: The future of music as composed by Brandeis

(03/12/24 10:00am)

On Saturday, March 2, Hypercube performed musical pieces composed by current Brandeis students as a part of the Brand New Music concert series. Hypercube is a quartet that pushes the boundaries of chamber music, with a focus on performing cutting-edge new music. Last weekend, they performed never-before-heard pieces by Brandeis composers. 


Students for Justice in Palestine announce return

(03/05/24 11:00am)

The University’s former chapter of Students for Justice in Palestine posted a “statement of return” on Instagram on Feb. 29, announcing their intent to continue as an organization despite the branch’s derecognition as a club last semester. Along with the Revolutionary Student Organization, who organized the Nov. 10 protest that ended in seven arrests, SJP posted about a “Vigil for Palestine” that will take place in the Shapiro Campus Center on March 6.   


Jha D Amazi from the MASS Design Group discusses the power of public memorials to facilitate national healing

(03/05/24 11:00am)

Racial injustice, gun violence and civil rights –– these heavy topics hold a significant place in U.S. history. Monuments and memorials provide opportunities for citizens to grapple with the complex history of the nation and connect it back to the present. Jha D Amazi, a principal and the director of the Public Memory and Memorials Lab for Model of Architecture Serving Society Design Group, specializes in answering questions revolving around how spatializing memory can spark future collective action and provide a more accurate and diverse portrayal of the U.S.’ past.  


Artificial Intelligence, Real Consequences: The use of Artificial Intelligence platforms in higher-education

(03/05/24 11:00am)

Before I began to write this article, one of my professors had given me the suggestion to use ChatGPT to create a title for this piece. I did not do that, and will be very offended if you think I did. However, I did decide to give ChatGPT a chance and typed, “Can you please create a title for a school newspaper article which features three interviews with professors at Brandeis University discussing the potential benefits and drawback of ChatGPT in their respective fields of study and the classrooms in which they teach in?” In response, I got:



Sounds of Brandeis: The Kaleidoscope Concert

(03/05/24 11:00am)

The Brandeis Concert Series is an incredible and rare opportunity to see free live music every weekend in the Slosberg Recital Hall. The series includes both student and faculty performances with a diverse line-up including jazz, chamber singing, a Ghanaian drum and dance ensemble and never-before-seen pieces that were composed by Brandeis students, faculty and alumni. Upcoming performances include Hypercube, a Brandeis original composition, on Mar. 2 and Evan Hirsch’s piano recital on Mar. 8, with various other performances on Mar. 16, 17, 23 and 24. 


Museums or mean girls? Societal worship of public art museums

(03/05/24 11:00am)

To the readers who have enjoyed my museum reviews in the past, thank you! I am happy that there have been so many opportunities through The Justice that have allowed me to talk about art in a way that I usually wouldn’t. However, in my time going to many of these museums, including the Museum of Fine Arts, the Isabella Stewart Gardner museum and the Metropolitan Museum of Art, I have found a particular trend in the structure and the purpose of the museum that I find interesting. I would like to define my meaning of worship in this paragraph. When I say worship, I am describing the actions of the devout museum goers. When I went to see an exhibition at the Met in December 2023, I saw many people standing and ambulating around the art, but I saw even more with jaws wide, hands over mouths and speechless “ohs” spilling from their mouths. Yes, art is beautiful, important and meaningful and I would probably be very upset in a world without art, but museums inspire us to look up at art, placing it beyond us in a way that is to separate us and the art.




Deconstructing “Deconstructed Anthems”

(02/13/24 11:00am)

In the coming days of Feb. 13 through Feb. 17, the thought-provoking and moving immersive art installation, “Deconstructed Anthems: Massachusetts” will be debuted at the Cyclorama in the Boston Center for Arts. “Deconstructed Anthems” is a series of exhibitions created by artist, professor and Director of the Poetic Justice Group at Massachusetts Institute of Technology Media Lab Ekene Ijeoma. Ijeoma, whose background is in technology and interaction design, develops multimedia artwork designed to expose the inequities that riddle the United States and challenge his audience to change them. Through “Deconstructed Anthems,” Ijeoma depicts the immense scale of mass incarceration, as well as the gross racial disparities ingrained in the U.S. carceral system. Each site-specific iteration of “Deconstructed Anthems” uses data from the U.S. Department of Justice, combined with conceptual, multimedia art, to give voice to the over 1.5 million (disproportionately Black) individuals incarcerated in the U.S. since 1925. Ijeoma’s exhibit highlights the hypocrisy of the U.S. being the “land of the free” while having such high incarceration rates by centering the installation around the classic “Star Spangled Banner.” The exhibit combines an algorithmic composition programmed by Ijeoma and numerous musicians who methodically omit notes while playing “Star Spangled Banner” to reflect the escalation in national incarceration rates from 1925 to the present. Ijeoma achieves this by using a custom piano “retrofitted with hardware and software programmed to hold down keys at the same rates in the composition as a pianist is playing it.”