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Non-priority course registration begins on Tuesday, April 16, so it’s time to create your schedule for next semester. Taking the time to craft the perfect schedule can make all the difference in having a successful semester. As such, this board would like to provide a few tips and reminders to make sure this process goes smoothly for you.
On March 24, 2023, the Brandeis Judges opened up University Athletic Association conference play against Carnegie Mellon University on Marcus Field. Ragini Kannan ’26, a first-year right-handed pitcher for the Judges, gave up a home run to Koko Sagae of Carnegie Mellon in the second inning to snap her 20-inning scoreless streak. Despite this setback, Brandeis would go on to shut down Carnegie for the remainder of the game. Kannan completed the rest of the game giving up one run, giving her a dominant stat line of six innings pitched, one run given up, and seven strikeouts. Brandeis went on to sweep Carnegie in all four games that weekend.
Women’s Conference
Although Brandeis prides itself on holding a strong commitment to inclusivity and diversity, the athletics department has faced several allegations of racism in the past six years, most recently against the head coach of the women’s basketball team, Carol Simon.
On April 5 the Prevention, Advocacy and Resource Center at Brandeis University hosted their annual Take Back the Night event to raise awareness about sexual violence during National Sexual Assault Awareness Month.
As we enter the Final Four of March Madness, Brandeis women’s basketball has garnered unprecedented attention. A historical Monday night on April 1 featured matchups between University of Connecticut’s Paige Bueckers and University of South California’s JuJu Watkins and between Louisiana State University’s Angel Reese and University of Iowa’s Caitlin Clark, with the latter duel attracting record-breaking viewership of women’s college basketball. 12.3 million viewers tuned in to watch the Reese vs. Clark showdown in the Elite Eight, and ESPN reported that 14.2 million viewers watched the UConn vs Iowa Final Four matchup. The electric game garnered the most views of any basketball game — college or professional. Thanks to these college superstars, there are arguably more women’s basketball fans now than ever before.
You may have walked past it when hunting down a quiet study spot on the second floor of the Goldfarb Library: the Robert D. Farber University Archives & Special Collections. Right past the reference desk, down the stairs to the second floor of Goldfarb, it lies behind the glass door: the past of Brandeis summarized in glass displays, featuring a picture of the first graduating class to previous school merchandise from the 1980’s.
Many of us have been sat down by a teacher, friend or a concerned parent to watch “The Social Dilemma.” The documentary came out in 2020 at the height of the pandemic, when virtually all communication was online. It exposed how social media companies specifically design algorithms that nurture addiction and increase screen time by providing instant gratification. Since then, most users have become aware of the consequences of using smart technology in an attention economy that profits off of our decrease in concentration. In a November 2020 survey of people from ages 14 to 24, over half of respondents said they’ve deleted or thought about deleting their social media accounts or app.
Dear Letter to the Editor,: In March 2024 The Canadian Arab Lawyers Association (CALA) listed denial of the Nakba as an example of anti Palestinian racism. Really? The position of the CALA shows total and complete disrespect for several generations of contemporaneous Muslim and Arab journalists who have unequivocally made clear that the "Nakba" was self inflicted. CALA ignores or willfully denies CONTEMPORANEOUS Muslim and Arab journalism in order to promote the antisemitic calumny of "the 1948 forced displacement of 700,000 Palestinians and the creation of the State of Israel". CALA ignores the reality that even a cursory glance at contemporaneous Muslim newspapers and other contemporaneous Muslim media makes clear that it was Arab leaders in 1947/1948 who commanded the local Arab population in Mandatory Palestine to “flee” their homes in anticipation of the genocide of the Jews — and an Arab populace who willingly obeyed that command.
It was just five years ago when Natalia Wiater ’20 (2018-2019 Managing Editor) and I — entering my term as Managing Editor — arrived on the Brandeis campus for the 2019 Brandeis University Alumni Weekend. As the 70th Anniversary of the Justice, we met with many alumni of our newspaper in the Shapiro Campus Center (SCC) office, talking about the history of our beloved publication. We talked about areas of growth the Justice experienced over those 70 years, areas where nothing had changed, and areas where the paper still needed to develop. In many ways, that weekend feels like yesterday, and reflecting on my time at the Justice brings up so many positive memories and much appreciation for how the Justice led me to where I am today.
The year was 1965 and two memorable issues were a special edition with professors debating the Vietnam war and an April fool's issue based on the National Enquirer ("the National Perspirer"), with a huge formal picture of the then famously gruff and intimidating university registrar and the headline: "Charles Duhig confesses: I am a woman!" Pretty much everyone on campus was amused, save Duhig.
I was editor of The Justice from January 1964 through January 1965, sharing the position with my friend and classmate Richard Weisberg during fall semester 1964.
Dear Editor,
I was editor in chief for the Justice during the 2020-2021 school year. It was the pandemic, which was a crazy time to be editor, but that’s not what this letter is about.
Marty Fassler and I co-edited the paper in 1964-65. Those were frenetic times on campus, capping a four-year battle with the founding president, Abram Sachar. Everyone with eyes and ears – including the keen reporters and writers for the JUSTICE – saw that the University was in full conformist mode. The liberal and even radical policies at the immediate postwar origins of our school, which sheltered exiled European intellectuals and domestic talent that found no other comfortable home, were “transiting” to the flabby mediocrity of a place that no longer wished to be identified as a leader in social criticism, literature, history of ideas, or left-wing writing of any kind. Sachar instead turned his aging head to the emerging neo-liberal norms epitomized by JFK: style over substance, a subdued and barely visible allegiance to racial justice, misogyny masked as “Camelot”. Sachar wanted a campus that would become quiescent in the intellectual , the moral, and the political sense. He had already fired Kathleen Gough Aberle, a feminist and rising academic star who publicly supported Fidel Castro over Sachar’s darling JFK during the “Cuban missile crisis” of 1962. He had put teeth in the absurd parietal rules that (unsuccessfully) kept boy from girl in the Castle and other campus trysting spots; he had contemplated censoring the JUSTICE itself and had to be subdued by that hardly radical thinker, Max Lerner (so went the rumor: it might have been John Roche who managed to make Sachar see the light on this occasion).
“…they revealed a fire that makes all timeless music forever contemporary.”
After opening locations in San Diego and Chicago, WNDR (pronounced as “wonder”), a chain of interactive art museums, opened its doors in downtown Boston, inviting student journalists to explore and document its 21 exhibits on April 3. These exhibits combine artistry with breakthrough technology, shifting reality through unique lighting and sound techniques to immerse visitors within their respective themes. WNDR enlisted independent artists as well as its own creative team to generate these interactive attractions.
From its inception, the Folk Festival is a Brandeis tradition that has amazed audiences and impacted the future of folk music while still honoring the past. The first festival in 1963 was at the Ullman Amphitheater, Brandeis’ outdoor theater that existed until the 1980s, and it included iconic performers like Bob Dylan, Pete Seeger, The Lilly Brothers — who were credited for bringing bluegrass to New England — the “Mother of Folk,” Jean Ritchie as well as other famous voices. This year’s festival happened in conjunction with the Create@Brandeis Craft Market at the Sherman Function Hall on The Festival of the Arts’ “Super Sunday” from 11:00 a.m. to 4:00 p.m. As the musicians were playing, you could hear vendors discussing their products with customers and see children running around, playing on the colorful inflatable shapes set up for seating. The unity and love of the Brandeis creative community felt palpable in that room.
The Banque Nationale de Paris Open, otherwise known as Indian Wells, is one of the most prestigious professional tennis tournaments, just below the Grand Slam level. The Open is not only considered to be the fifth Grand Slam, but it is one of the highest-grossing, watched and fame-claiming tournaments for both men and women's professional tennis players. The official names for the men’s and women’s circuits are the Association of Tennis Professionals and the Women’s Tennis Association, respectively.