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This season, the fencing team has had many fierce competitors, and the Judges have held their own against them all. So far, the team has been to the Northeast All-Collegiate Invitational in Northampton, Massachusetts, the Northeast Conference Meet in Cambridge, Massachusetts, and the Brandeis Invitational. The team has led a successful season and conquered many of their opponents.
The Student Union announced that Vice President Benedikt Reynolds ’19 and Treasurer Jerry Miller ’18 will resign at the end of the semester. Their seats will be filled in a special election to be held on Dec. 10.
This week, justArts spoke with Claudia Davis ’19 and Perry Letourneau ’20, co-Presidents of sketch comedy troupe, Boris’ Kitchen.
Earlier this month, the Introduction to Creativity, the Arts, and Social Transformation class hosted a screening at the Wasserman Cinematheque in place of a lecture. The Nov. 6 class screened “Because of the War,” a documentary about four female singers who immigrated to the United States to escape the civil war occuring in their homeland, Liberia. The war caused a mass migration of refugees toward the neighboring countries of Ivory Coast and Sierra Leone. The four women, Tokay, Zaye, Marie and Fatu, all found themselves in Pittsburgh’s Liberian community. Anthropologist Toni Shapiro-Phim, who attended the screening, documented their individual stories as director of the feature.
Ira Bornstein ’22 doesn’t have a clear memory of when his passion for fashion started. But his love for clothing has earned him— @yvngiraa — nearly 2,500 Instagram followers. At Brandeis, Bornstein is interested in studying business with an emphasis on fashion. His love of fashion and interest in business is exemplified by his hobby of reselling clothes.
The Brandeis women’s fencing team has participated in two meets so far in their 2018-19 season. Their first meet took place in Northampton, Massachusetts and occurred on Oct. 25. The Judges’ second meet was this past Saturday at Massachusetts Institute of Technology. The next stop for the women is the Brandeis Invitational on Dec.2.
Pitch darkness is suddenly interrupted by fluorescent lights, illuminating five people lying on the floor. This is the opening of the Theatre Arts department’s “Circle Mirror Transformation,” a play outlining the relationships of five people as they take an adult drama class together at the Shirley, Vermont, Community Center. The set felt very natural in its asymmetry and the costumes were incredibly detailed — every shoe and t-shirt was reflective of the character wearing it. While captioning live theater is difficult, this production seemingly did it with ease. The dimly projected captions on either side of the stage never distract from the show for those who don’t need it, and are incredibly accurate and well-timed for those who do. The production quality overall is incredible, as expected from a department show.
“Bohemian Rhapsody” is a film that celebrates Queen’s lead singer, Freddie Mercury, and his personal evolution through the music and the cultural impact he made with Queen. It is easy to depict Mercury’s larger-than-life stage persona, but director Bryan Singer went for more of a personal-tribute approach. At the film’s heart is the relationship between Freddie Mercury (Rami Malek) and his longtime best friend Mary Austin (Lucy Boynton), a relationship which encompasses Mercury’s love of music and his search for his own identity. It was Austin who gave Mercury the first opportunity to explore feminine clothing, supporting his genderbent stage persona. Austin and Mercury were engaged until Mercury accepted that although she was the “love of his life,” Freddie yearned for more. Freddie Mercury, much like Oscar Wilde, was a proto-pansexual. He never came out publicly as “queer” but lived a lifestyle unencumbered by heterosexual norms.
BRIEFLY IN LOVE: Theresa and Schultz (Peirce Robinson ’22) share an intimate moment during their fleeting romance.
It’s been over 150 years since Henry David Thoreau walked the shores of Walden Pond. Today, Thoreau’s old stomping ground is largely as it was back then, but with more visitors and a parking lot a few hundred yards from the shore. The natural beauty of the space and its seclusion from civilization attracted the young transcendentalist whose two-year experiment living in a cabin on the grounds led to the creation of his best-known book, “Walden; or Life in the Wood.” Today, it’s unclear if the visitors at Walden Pond pull off the road in Concord searching for similar revelations about the capacity for inner growth in solitude. Either way, Walden Pond continues to offer its visitors an escape.
Journalist and feminist author Joan Morgan explored the relationship between hip-hop, feminism and musician Lauryn Hill — an American singer, rapper and songwriter — in a Wednesday event sponsored by the Department of African and Afro-American Studies, the Creativity, Arts, and Social Transformation program, the Music department and the Dean of Students. The event, titled “20 Years of The Miseducation of Lauryn Hill: A Conversation with Joan Morgan,” began with Prof. Chad Williams (AAAS) introducing Morgan, author of “When Chickenheads Come Home to Roost: A Hip-Hop Feminist Breaks it Down” and “She Begat This: 20 Years of the Miseducation of Lauryn Hill.”
This week, justArts spoke with Rachel Moore ’19 and Akshiti Todi ’19, co-presidents of the Adagio Dance Company.
Brandeis celebrated its ninth annual Kindness Day on Thursday, bringing together University faculty, staff and students in a campus-wide effort in the spirit of passing along kindness.
Matthew Carriker is the Protestant Chaplain.
The Hadassah-Brandeis Institute Project in Latin American Jewish & Gender Studies held its launch event last Thursday in the Riemer-Goldstein Theater at the Jewish Community Center of Greater Boston. Titled “A Latin American Pen, A Global Memory: Imagining Anne Frank Today,” the event highlighted the ongoing relevance of Anne Frank in Latin America.
Crowd Control came out to Cholmondeley’s coffee house last Thursday to celebrate the end of Halloween. The title of their show was “Halloween Hangover,” and they made a point of blinking at the bright lights of the stage and moaning about how tired they were. One performer was even dressed in a Winnie-the-Pooh costume. Although this event was not well publicized, there was a decent turnout and a warm reception.