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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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EDITORIAL: Recognize graduate students’ desire to unionize

(05/02/17 6:29am)

Since the National Labor Relations Board ruled on Aug. 23, 2016 that graduate employees at private universities had the right to unionize, graduate students at several universities have endeavored to establish unions at their respective schools. Brandeis is included in this number. Today, graduate students who provide instructional services will vote to determine whether to be exclusively represented by the Services Employees International Union Local 509.









Fit to Print

(03/28/17 12:33am)

“When I came to Brandeis, I thought 3D printing was science fiction,” said Gabriel Seltzer ’18 in an interview with the Justice. Then he joined Deis3D, the on-campus 3D printing club located in the MakerLab above Goldfarb Library. He recalls his early days in the club, saying, “I started making my own objects, fixing printers, and helping out … it all sort of just snowballed from there.” Today, Seltzer is the vice president of Deis3D.


Acknowledge the expanding options in vegetarian food choices

(03/21/17 5:11am)

I have not eaten meat in 10 years — that is nearly half of my life. This is a choice I share with 3.2 percent of Americans ― or 7.3 million people ― according to Vegetarian Times. Vegetarians make up 2.7 percent of this statistic and the other 0.5 percent ― 1 million Americans ― are vegan. Among these individuals are those who diligently follow People for the Ethical Treatment of Animals or environmental activist groups. Those in these categories may consume Morningstar Farms and Boca Burgers like they are going out of style. However, for the larger percent of Americans ― omnivores ― these groups and perhaps these food choices fail to appeal to them in place of meat products. With new products like the Impossible Burger, cruelty-free living and environmental preservation no longer have to be tied to vegan and vegetarian diets.


Address issues surrounding free speech on campuses

(03/21/17 5:08am)

I have some bad news, fellow liberals — this is going to be another one of those pieces about free speech on college campuses. I know, I know; you have heard it all before, that college students are fragile and scream until what they do not like goes away. What snowflakes. While this will not be a glowing review of the current status of free speech on college campuses, it will not be another one of those articles. However, with recent events at Middlebury and the Task Force on Free Expression, something needed to be said.


‘The Vagina Monologues’ spreads awareness

(03/21/17 1:45am)

Walking into Merrick Theater, there was a feeling of intimacy, as each performer was so close to the audience. The Vagina Monologues ran for four days, Thursday through Sunday, in the auxiliary room of Spingold Theater, giving people what can only be explained as a very powerful and moving performance with an important message for everyone. The event started with a performance done by Shira Harary ’17 talking about the priorities one should have and who has the biggest say over someone’s vagina. The answer, according to the monologue: the person’s vagina itself. People of all ages have had different experiences with their own vaginas, and if women are asked, they will talk about them. Performances were inspired by stories of various people in different stages of life. The Monologues are also composed of stories with different backgrounds, all leading to different experiences. The stories were all equally important and yet, sometimes hard to hear. Each performer had to take someone else’s story and convey it with enough feeling and meaning as if it were theirs.


‘Mirrors’ reflects confused direction

(03/21/17 1:21am)

The Brandeis Players welcomed a small audience into the Shapiro Campus Center theater this past Thursday night for the debut of John O’Brien’s “Mirrors,” directed by Otis Fuqua ’19. “Mirrors” follows protagonist Fred (Abram Foster ’19) through the world within his mind in the wake of losing his family in a fire. Tackling themes of grief and mental illness and questioning reality itself, the play proved an ambitious choice for the Brandeis Players. But with ambition comes risk, and in “Mirrors,” at times stunning high points were spoiled by moments of confused direction.


Gasol, Jokic among top big-man playmakers

(03/20/17 7:20pm)

The least common of all National Basketball Association centers is the playmaker. Only a handful of these mystical beings exist, but when they do it’s a sight to behold. These players possess the unholy combination of big-man size, the skills of a six-footer and a knack for the creative. With shockingly solid handles, unexpectedly smooth jumpers and eyes in the back of their heads, the offense runs through these gods among men. Instead of looking to score when they get the ball in a half-court set, they look to facilitate the action, often getting the ball with pin-point precision to teammates curling on the wing or cutting to the rim. In a lineage that goes back to Bill Walton and Arvydas Sabonis, the torch of the playmaking center has been carried proudly for the past half decade by Memphis Grizzlies center Marc Gasol. While other excellent players like Al Horford, Joakim Noah and Pau Gasol are also models of this kind of center, only Marc Gasol has finished in the top four of all centers in both assist percentage and assist-to-turnover ratio in every one of the past five seasons. Statistically, the younger Gasol is putting up a career year, but his reign as the gold standard of playmaking centers is facing an unprecedented challenge. The challenger? NBA twitter and hipster darling Denver Nuggets center Nikola Jokic. 



Acting in ‘Leveling Up’ is a level above

(03/14/17 3:48am)

This past Thursday, the Brandeis Department of Theater Arts debuted its production of Deborah Zoe Laufer’s “Leveling Up,” directed by Prof. Robert Walsh (THA). Ushers welcomed theatergoers into the Laurie Theater, seating them on three sides of the in-ground stage. The in-the-round seating style of the relatively small venue provides a closeness and intimacy between the audience and the performers, ideal for a very human, relatable piece such as this story of college-age friends at the edge of adolescent gamer culture and the real world.