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(10/28/25 10:00am)
The second annual Albertine French Film Festival is now in full swing at the University. Last year, the festival’s inaugural week showcased a sweeping selection of contemporary French films at the Wasserman Cinemateque free of charge. Now in its second run, the festival presented by the French and Francophone Studies Program of the Department of Romance Studies spotlights even more French films, each of which pack a strong cultural punch. The festival began on Friday, Oct. 17, with the dark yet vibrant film “Disco Boy” (2023), providing the festival’s “Spotlight on Drama.” This week, the festival moved on to its “Spotlight on Documentary” with the haunting one-hour documentary “Dahomey” (2024), directed by Mati Diop. With a restrained and dreamlike meditation on colonialism and the effectiveness of restitution, this film follows 26 stolen royal treasures of the Kingdom of Dahomey as they are returned from Paris to their country of origin, the modern-day Republic of Benin.
(10/21/25 10:00am)
It’s been a long time coming — and it crashed and burned. When Taylor Swift announced her twelfth studio album “The Life of a Showgirl,” she cranked the hype up to 11. Posting bold pictures of herself dressed up in flashy vaudevillian garb, Swift promised that the new album would contain “melodies that were so infectious that you’re almost angry at it, and lyrics that are just as vivid but crisp and focused and completely intentional.” But when the album finally dropped on Oct. 3, millions of fans took to social media bashing this project for its lackluster lyricism and misleading theme. But is the album as bad as internet critics make it out to be?
(12/03/24 11:00am)
Everyone seems to have a teen romantic comedy that holds a special place in their heart. For most, these films evoke a strong level of nostalgia, like the fond memories of watching “Mean Girls” for the first time at a middle school sleepover. Upon rewatching, however, these films tend to be a mixed bag. While some — like “Ten Things I Hate About You” — are able to remain on their pedestal, others fall flat when examined with a scrutinizing, grown-up eye — as seen with “The Kissing Booth.” For me, Amy Heckerling’s “Clueless” is perhaps the most nostalgic teen rom-com of all time. I first watched the film at 14 years old, and it’s been imprinted on my mind ever since. But, as time passes and our once juvenile tastes grow more sophisticated, does this film still hold up? For the most part, yes. With privileged, yet unconventionally wise female characters, eternally quotable dialogue and an escapist setting that borders on fantasy, “Clueless” is the quintessential teen rom-com to be enjoyed by viewers of any age.
(11/19/24 11:00am)
Yeeshai Gross, founder of two production companies — Multipleoutlet and Ergo Entertainment — is a 58-year-old New York native who produces Broadway shows, short films and documentaries. As an Orthodox Jewish person himself, Gross gravitates towards projects that speak to his community, such as Holocaust education productions like “The Witness Project” and the Emmy-nominated documentary “Paper Clips.” On Nov. 17, Gross shared with The Justice what it means to give back, discussing his previous projects and the Public Service Announcements he produced for the Jewish crisis organization “Amudim.”
(10/29/24 10:00am)
Is anyone else tired of sad girl pop? In recent years, the pop landscape has been flooded with Phoebe Bridgers and Lana Del Rey lookalikes, bringing us ballads that, while beautifully emotional, just wear the listener down after a while. The state of the world is depressing enough — we need escapist pop anthems to make us get up from our existential crises and dance. That’s why people latched onto Sabrina Carpenter’s lead single, “Espresso,” so strongly. From the track’s beachy, disco-pop sound to Carpenter declaring, “My give-a-fucks are on vacation,” “Espresso” filled the gap in the genre of feel-good music. Social media soon became addicted to “that me espresso” — whatever that truly means. With the subsequent release of Carpenter’s sixth studio album “Short n’ Sweet,” fans are confident that the five-foot-tall pop princess has brewed up a masterpiece.
(10/01/24 10:00am)
Brandeis’ Craft Market returned to campus on Saturday Sept. 28 as booths of students and local artists populated the Fellows Garden. Pottery, keychains, crochet and illustrations showcased the unique skills of new and returning sellers. Though the event leadership recently changed to the Brandeis Art Club, the new forces behind it show that the community’s dedication to the arts is difficult to squash.
