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(11/05/24 11:00am)
Elle Woods, the lead of the well loved films “Legally Blonde,” “Legally Blonde: 2 Red, White & Blonde” and the musical adaption, “Legally Blonde the Musical,” initially presents as the epitome of a stereotypical blonde sorority girl, embodying an image focused on fashion and social status. However, her bubbly demeanor is complimented by her highly determined and independent attitude, demonstrating how the films and musical develop a complex character that subverts social expectations and challenges audiences to rethink their assumptions about intelligence and capability. The various iterations of “Legally Blonde” develop a dynamic character with a robust backstory, allowing the viewer to gain a strong understanding of what makes up Woods, what she stands for and where she came from. Without these aspects of her personality, Woods would not be as nuanced nor be able to push back against female stereotypes within society and the male-dominated, conservative field of law.
(11/05/24 11:00am)
To start off the new month, Brandeis’ most musically talented joined forces to present Bandapalooza on Nov. 3. Top Score, Music and Dance Band, Klezmer and the Guitar and Bass Club launched the event this year for the purpose of bringing recognition to student clubs, bands and musicians. The passion of the performers and organizers to connect with new audiences spanned Levin Ballroom. On one side, the Student Music Committee and WBRS shared a table, giving a glimpse into the everyday capacity of musicians on campus, and on the other, performers lined the walls awaiting their chance to present.
(10/29/24 10:00am)
After opening its doors in Chicago, “CLUE: A Walking Mystery” has arrived in Boston, transforming the city’s historic streets into an immersive detective adventure. Inspired by the classic board game, the experience invites participants to solve a thrilling murder mystery, piecing together bits of evidence as they explore some of Boston’s most iconic landmarks. The story begins at Quincy Market, a site full of local history, and takes participants to places like the Freedom Trail and the Old South Meeting House — familiar backdrops that add authenticity and local flavor to the unfolding mystery.
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On Friday, Oct. 25 at 2:30 p.m. in Goldman-Schwartz Art Studios, writer and curator Leah Triplett Harrington gave a presentation sponsored by the Department of Fine Arts Post-Baccalaureate Studio Art Program. The talk was inspired by her most recent co-curated exhibit “Artists as Cultivators.” The exhibit is currently hosted at Pennsylvania Academy of the Fine Arts and will be on display until July 7, 2024.
(10/29/24 10:00am)
In 1928, silent film titan Buster Keaton and Edward Sedgwick co-directed the film “The Cameraman,” which was also Keaton’s first film after signing to Metro-Goldwyn-Mayer. The movie follows a young man named Buster — played by Keaton — as he attempts to secure a job at a newsreel agency in order to get closer to a girl who works there. It is considered by many to be among Keaton’s finest films and is most certainly one that encapsulates not only the zeitgeist of the 1920s, but the beauty of the era’s silent film. In its one hour and nine minutes, audiences get a glimpse into the world of the 20s and some of the wittiest displays of comedy that Keaton has to offer.
(10/29/24 10:00am)
Is anyone else tired of sad girl pop? In recent years, the pop landscape has been flooded with Phoebe Bridgers and Lana Del Rey lookalikes, bringing us ballads that, while beautifully emotional, just wear the listener down after a while. The state of the world is depressing enough — we need escapist pop anthems to make us get up from our existential crises and dance. That’s why people latched onto Sabrina Carpenter’s lead single, “Espresso,” so strongly. From the track’s beachy, disco-pop sound to Carpenter declaring, “My give-a-fucks are on vacation,” “Espresso” filled the gap in the genre of feel-good music. Social media soon became addicted to “that me espresso” — whatever that truly means. With the subsequent release of Carpenter’s sixth studio album “Short n’ Sweet,” fans are confident that the five-foot-tall pop princess has brewed up a masterpiece.
(10/29/24 10:00am)
Spookapella made its debut on Sunday Oct. 27 with spooky performances of Halloween-inspired songs. The event was hosted by Zac Gondelmen ’26 and Esther Rubin ’26, who welcomed the audience on a whimsically haunted tour of Brandeis’ a cappella clubs. However, their chipper attitude was quickly substituted by Rather Be Giraffes’ stunning performance which sent shivers running down spines. It all began as they led the way with their version of “Creep” by Radiohead. The song captured the essence of Halloween while remaining expertly sung.
(10/22/24 10:00am)
This fall, Brandeis University is set to host the inaugural Albertine French Film Festival, bringing a rich selection of contemporary French films to campus. Through a series of screenings at the Wasserman Cinematheque, running from Oct. 25 to Nov. 19, the festival will showcase works that resonate with global audiences while also offering a glimpse into French perspectives on such issues.
(10/22/24 10:00am)
(10/22/24 10:00am)
This film was a “hard watch” in the most literal of senses.
(10/22/24 10:00am)
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(10/01/24 10:00am)
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(10/01/24 10:00am)
One of the most celebrated pieces in film history, Stanley Kubrick’s “2001: A Space Odyssey” — based on Arthur C. Clarke’s book of the same name — is revered as a technical wonder and exists in an interesting contrast to his other, often grotesque or disturbing films. The science fiction movie is essentially a story of progress and evolution, beginning with our ape ancestors and taking us well into the future of humanity. Here is a spoiler-free review of my favorite movie of all time!
(10/01/24 10:00am)
Brandeis’ Craft Market returned to campus on Saturday Sept. 28 as booths of students and local artists populated the Fellows Garden. Pottery, keychains, crochet and illustrations showcased the unique skills of new and returning sellers. Though the event leadership recently changed to the Brandeis Art Club, the new forces behind it show that the community’s dedication to the arts is difficult to squash.
(10/01/24 10:00am)
(10/01/24 10:00am)
On a chilly Tuesday evening, Boston University Radio and the Rose Art Museum collaborated in curating a public forum and conversation surrounding Hugh Hayden and his collection “Home Work.” The conversation, held at WBUR City Space in Boston on Sept. 24, started promptly at 6 p.m. as journalist and artist Arielle Gray led the conversation surrounding Hayden’s work as it pertains to Black and brown communities.
(09/24/24 10:00am)
