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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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A summer-y of 2018 summer films

(09/04/18 3:20pm)

This was a year of box office records. “Black Panther” became the ninth-highest grossing film of all time with a $1.3 billion take; “Incredibles 2” became the highest non-PG-13 grosser of all time besides a list of box office records in the animation genre; “Avengers: Infinity War” conquered theaters worldwide with a claim on the $2 billion milestone. Additionally, “Won’t You Be My Neighbor,” the deep dive into the life of beloved children’s entertainer Fred Rogers, became the top-grossing biographical documentary of all time at $20 million. Average per-screen grosses were also very impressive with the releases of “Eighth Grade,” “Sorry to Bother You,” “BlacKkKlansman,” and the 50th anniversary re-release of “2001: A Space Odyssey.”


Back to school with Bo Burnham

(09/04/18 3:21pm)

How do we connect organically in a world dominated by technological barriers? They are everywhere: in the classroom, at the dinner table, and are even guilty of disturbing the tranquil relationship between head and pillow. In his directorial and screenwriting debut “Eighth Grade,” stand-up comedian Bo Burnham explores this question through the eyes of a socially anxious middle schooler, Kayla.


‘Mission: Impossible - Fallout’ misses the mark

(09/04/18 3:23pm)

When I first saw the trailer for “Mission: Impossible — Fallout” in February, I was thrilled to see that in their sixth installment the franchise had decided to go in a more mature direction. Based on the preview, Impossible Mission Force agent Ethan Hunt, once again portrayed by Tom Cruise, must again beat impossible odds to save the world. This time, however, he must defeat not only the villain from the previous film, but also his former allies. “If the vision can be executed thoroughly,” I thought, “this movie may elevate the Mission: Impossible series from summer blockbusters to the classics.”


'More Weight' surprises and intrigues

(09/04/18 3:22pm)

Rachel Stern’s exhibition, “More Weight,” points a satin-gloved finger at both the ideal of justice and its subjectivity. While Stern is not a Brandeis alumna, her display at the Kniznick Gallery in Brandeis’ Women’s Studies Research Center perfectly resonates with Brandeis students;  it holds justice as a core value and features gavel imagery, both of which permeate Brandeis’ culture. The title, “More Weight,” is taken from the famous last words of Giles Corey during the Salem witch trials, during which he was put to death for refusing to confess to practicing witchcraft.






2017-2018 Year in Review

(05/15/18 10:00am)

Critic loves this season's films Kent Dinlenc While the past few months have been devoid of the indie films I was anticipating, I was pleasantly surprised by what has been released. I have spouted enough praise for “Three Billboards Outside Ebbing, Missouri” and thoroughly reviewed 2017 as a whole, so I’ve decided to solely cover the films that came out during the spring semester.


A$AP Ferg makes his Brandeis debut

(04/24/18 10:02am)

For the first time in my four years at Brandeis, Springfest actually felt like spring! On Sunday, April 22, Brandeis students had more to celebrate than just the end of the school year. Students flooded the Foster Mods and Chapels Field to soak up one of the first warm and sunny day of the semester. This year’s headliner was A$AP Ferg, first known for his song “Plain Jane,” which is frequently played at campus parties. Brandeisians who knew of A$AP Ferg before Springfest and liked his music “rode with the mob” and had a fantastic time in the mosh pit in front of the stage. Those who wanted to be a part of the action by indulging in the food trucks and free pizza or by taking advantage of the other giveaways parked themselves on the other side of Chapel’s Field opposite the stage, where they could get a good view even if they didn’t want to be part of the action. 



Boston Lyric Opera does Bernstein

(04/24/18 10:00am)

On Sunday, the Boston Lyric Opera kicked off the Leonard Bernstein Festival of the Creative Arts in Slosberg Music Center, setting a high bar for the student performances to come. The first three pieces in this nine-piece set went perfectly and flowed well into one another. The first solo performance was by Vincent Turregano; his performance of “A Simple Song” from “Mass” was incredible. The title of this song vastly undersells the rich complexity both of the music itself and of this actor’s performance. It was a semi-staged performance with movement direction by Nicola Bowie, but the underwhelming and confusing staging and choreography only detracted from wonderful acting and vocal performance, as it would for the entire performance.