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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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Margaret Oliphant’s ‘The Doctor’s Family’

(11/19/24 11:00am)

Throughout my life, I have been immersed in the idea that women, particularly mothers, are held to an impossibly high standard. Watching my mother balance her career as a lawyer and raise myself and my brothers introduced me to the term “supermom.” Supermoms are commonly defined as moms who work full time jobs while still performing “traditional” female roles in the home. I grew up in my mother’s office. There were always toys laying around amidst all her clients’ files. To me, growing up in my mom’s office is the epitome of a working mother’s life, as they are expected to juggle their role as both a caregiver and an employee. 




MELA: ROYA

(11/19/24 11:00am)

On Saturday, Nov. 16, Brandeis’ South Asian Student Association held their 28th annual MELA, a vibrant celebration of the cultures of ten cultures and regions of South Asia. This year, SASA organized a magical night of dancing, music, fashion and other cultural performances, embodying their theme of “Roya.” Roya is a Farsi word meaning the “realm of dreams.” Between the beautiful backdrop, performances and overall appreciation for South Asian culture, the night was a dream brought to life. 


Yum Cha

(11/12/24 11:00am)

On Saturday, Nov. 9, Brandeis’ Club Cantonese held their annual culture show, “Yum Cha” in Levin Ballroom. “Yum Cha” literally translates to ‘drink tea,’ though the show itself offers much more than a comforting cup of tea. C2B curated an exciting night of festivities celebrating Cantonese and East Asian culture. Filled with songs, dances and delicious eats, the night was a celebration to remember.  




The unseen politics of grief: ‘High Maintenance’ and the privilege of mourning

(11/12/24 11:00am)

We’re not strangers to grief. It’s inevitable that we will all stumble through the five stages at one point or another, likely on numerous occasions.  While loss is most commonly associated with physical loss — such as that of a loved one — it can also apply to more ideological dimensions. Political grief became a widely recognized phenomena in the wake of the 2016 U.S. presidential election when Donald Trump’s victory sent shockwaves through the nation. For millions of Americans, Trump’s victory wasn’t just a political loss — it was the loss of societal values, moral compasses, and, for many, the very idea of a future they had once hoped for. And now, on Nov. 6, 2024, those very same feelings of loss were echoed, if not intensified. 


Diwali

(11/05/24 11:00am)

On Sunday Nov. 3, Brandeis’ Namaskar presented a celebration of the Hindu holiday, Diwali. Diwali, also considered the festival of lights and the start of the Hindu new year, is a holiday that celebrates the triumph of Prince Rama over the demon king Ravana. The day of Diwali marks Rama’s return to his home, Ayodhya and ultimately symbolizes the enduring victory of good over evil. To honor this holiday, Namaskar hosting a grandiose celebration filled with laughter, dancing, henna and good eats. This event embodied the light spirit of the original holiday, bringing joy and hope for everyone in attendance. 




“What like it’s hard?” A psychoanalytical examination of Elle Woods

(11/05/24 11:00am)

Elle Woods, the lead of the well loved films “Legally Blonde,” “Legally Blonde: 2 Red, White & Blonde” and the musical adaption, “Legally Blonde the Musical,” initially presents as the epitome of a stereotypical blonde sorority girl, embodying an image focused on fashion and social status. However, her bubbly demeanor is complimented by her highly determined and independent attitude, demonstrating how the films and musical develop a complex character that subverts social expectations and challenges audiences to rethink their assumptions about intelligence and capability. The various iterations of “Legally Blonde” develop a dynamic character with a robust backstory, allowing the viewer to gain a strong understanding of what makes up Woods, what she stands for and where she came from. Without these aspects of her personality, Woods would not be as nuanced nor be able to push back against female stereotypes within society and the male-dominated, conservative field of law.


Bandapalooza’s debut appearance: An afternoon of song and dance

(11/05/24 11:00am)

To start off the new month, Brandeis’ most musically talented joined forces to present Bandapalooza on Nov. 3. Top Score, Music and Dance Band, Klezmer and the Guitar and Bass Club launched the event this year for the purpose of bringing recognition to student clubs, bands and musicians. The passion of the performers and organizers to connect with new audiences spanned Levin Ballroom. On one side, the Student Music Committee and WBRS shared a table, giving a glimpse into the everyday capacity of musicians on campus, and on the other, performers lined the walls awaiting their chance to present. 


Uncovering ‘CLUE: A Walking Mystery’

(10/29/24 10:00am)

 After opening its doors in Chicago, “CLUE: A Walking Mystery” has arrived in Boston, transforming the city’s historic streets into an immersive detective adventure. Inspired by the classic board game, the experience invites participants to solve a thrilling murder mystery, piecing together bits of evidence as they explore some of Boston’s most iconic landmarks. The story begins at Quincy Market, a site full of local history, and takes participants to places like the Freedom Trail and the Old South Meeting House — familiar backdrops that add authenticity and local flavor to the unfolding mystery.



Post Baccalaureate lecture series: Leah Triplett Harrington

(10/29/24 10:00am)

On Friday, Oct. 25 at 2:30 p.m. in Goldman-Schwartz Art Studios, writer and curator Leah Triplett Harrington gave a presentation sponsored by the Department of Fine Arts Post-Baccalaureate Studio Art Program. The talk was inspired by her most recent co-curated exhibit “Artists as Cultivators.” The exhibit is currently hosted at Pennsylvania Academy of the Fine Arts and will be on display until July 7, 2024.


The beauty of silent cinema, as seen through the lens of ‘The Cameraman’

(10/29/24 10:00am)

In 1928, silent film titan Buster Keaton and Edward Sedgwick co-directed the film “The Cameraman,” which was also Keaton’s first film after signing to Metro-Goldwyn-Mayer. The movie follows a young man named Buster — played by Keaton — as he attempts to secure a job at a newsreel agency in order to get closer to a girl who works there. It is considered by many to be among Keaton’s finest films and is most certainly one that encapsulates not only the zeitgeist of the 1920s, but the beauty of the era’s silent film. In its one hour and nine minutes, audiences get a glimpse into the world of the 20s and some of the wittiest displays of comedy that Keaton has to offer.


Sabrina Carpenter’s ‘Short n’ Sweet’ is a breath of fresh air

(10/29/24 10:00am)

Is anyone else tired of sad girl pop? In recent years, the pop landscape has been flooded with Phoebe Bridgers and Lana Del Rey lookalikes, bringing us ballads that, while beautifully emotional, just wear the listener down after a while. The state of the world is depressing enough — we need escapist pop anthems to make us get up from our existential crises and dance. That’s why people latched onto Sabrina Carpenter’s lead single, “Espresso,” so strongly. From the track’s beachy, disco-pop sound to Carpenter declaring, “My give-a-fucks are on vacation,” “Espresso” filled the gap in the genre of feel-good music. Social media soon became addicted to “that me espresso” — whatever that truly means. With the subsequent release of Carpenter’s sixth studio album “Short n’ Sweet,” fans are confident that the five-foot-tall pop princess has brewed up a masterpiece.


Spookapella: A deathly good a cappella show in preparation for Halloween

(10/29/24 10:00am)

Spookapella made its debut on Sunday Oct. 27 with spooky performances of Halloween-inspired songs. The event was hosted by Zac Gondelmen ’26 and Esther Rubin ’26, who welcomed the audience on a whimsically haunted tour of Brandeis’ a cappella clubs. However, their chipper attitude was quickly substituted by Rather Be Giraffes’ stunning performance which sent shivers running down spines. It all began as they led the way with their version of “Creep” by Radiohead. The song captured the essence of Halloween while remaining expertly sung. 


Brandeis to host first-ever Albertine French Film Festival

(10/22/24 10:00am)

This fall, Brandeis University is set to host the inaugural Albertine French Film Festival, bringing a rich selection of contemporary French films to campus. Through a series of screenings at the Wasserman Cinematheque, running from Oct. 25 to Nov. 19, the festival will showcase works that resonate with global audiences while also offering a glimpse into French perspectives on such issues.