Search Results
Use the field below to perform an advanced search of The Justice archives. This will return articles, images, and multimedia relevant to your query.
(02/02/22 5:19pm)
Last semester I took “Fundamentals of Environmental Challenges” wth Prof. Perlman (ENVS), or more commonly known as “tree class.” I was taking it for my science requirement and had not taken a science class since my junior year of high school. Yet, we had two whole days where we talked about the U.S. budget. We had assignments where we were required to read the news to learn about the environment. When multiple times during the semester Congress was close to not raising the debt ceiling, Prof. Perlman would emphasize the stakes of what that would mean. There was no specific environmental component to discussing the debt ceiling — he just wanted us to be informed. As a politics major, I am used to professors talking about current events in my classes, but this was the first class in which a non-politics professor cared so much about keeping us politically informed. I was and still am in awe of Prof. Perlman and how much he cared.
(02/01/22 11:00am)
The Museum of Fine Arts, Boston, put on a visual feast for the lovers of Impressionist art in the Linde Family Wing for Contemporary Art. Impressionism is an artistic movement developed by a group of French artists during the 19th century in pursuit of spontaneity and immediacy. The exhibition displays the artwork created by two of the most prominent French Impressionist masters, Claude Monet (1840-1926) and Auguste Rodin (1840-1917). The two artists were born two days apart and grew up to be friends and mutual supporters. By juxtaposing Monet’s paintings with Rodin’s sculptures, the exhibition creates an engaging visual dialogue between the two creative minds, inviting the viewer to contrast and compare their distinctive styles despite their selection of different artistic mediums.
(01/25/22 11:00am)
Brandeis alumna and Fellow Bobbi Samuels recently donated a $10 million gift to Brandeis, which will be used to establish a new center at the University that focuses on civic and community engagement.
(12/07/21 11:00am)
This fall, through the Legal Studies Practicum (LGLS-145A) with Prof. and Chair of the Legal Studies Department Rosalind Kabrhel, my classmates and I were able to get involved with a diverse array of hands-on experiential learning opportunities. Through this practicum, we were able to experience the importance of educational interventions in the communities we worked with, as a way to marginally counteract systemic disadvantages. The hands-on approach to experiential learning allowed us to synthesize and apply the themes of this course’s readings through a critical and concrete lens.
(12/07/21 7:00pm)
Prof. Eileen McNamara first joined Brandeis in 1995 as an adjunct faculty member while maintaining a full-time career as a columnist at The Boston Globe, where she worked for nearly 30 years covering a vast array of topics from the nightly police beat to Congress. An award winning reporter and columnist, McNamara won a Pulitzer Prize for Commentary “for her many-sided columns on Massachusetts people and issues” in 1997. She began teaching full-time at Brandeis in 2007, and eventually became the Director of the Journalism Program, a position that she held until last year.
(12/07/21 11:00am)
This past weekend, Brandeis University’s music department organized a Chamber Music recital—for the first time in over a year—that allowed a live audience to join in appreciating the performing arts. “Wonderful” would be an understatement when describing the performances. Students shared their hard work by performing pieces from the likes of Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky and Felix Mendelssohn as well as two jazz pieces. The recital enticed audience members from various walks of life. The students, music department and recital clearly demonstrated the mastery of the performers, drawing the audience with a euphony of instrumental duets and trios.
(12/07/21 11:00am)
A note before beginning: 10 is an arbitrary number, so if you’re annoyed that your favorite songs of the year are not included in this list, feel free to assume that they were the next to be included if 10 wasn’t the standard.
(11/23/21 11:00am)
MEDICAL EMERGENCY
(11/23/21 11:00am)
On Monday, Nov. 15, the Brandeis Journalism program hosted the Pulitzer Prize-winning Boston Globe team behind the investigative piece “Blind Spot.” “Blind Spot,” a multi-part composition, employs traditional, written articles in tandem with multimedia journalism through a 15 minute documentary. It uncovers the dangers of poor licensing regulation by government agencies and major issues within the trucking industry that allow people whose licenses should be revoked to drive freely.
(11/16/21 11:00am)
Since the start of the COVID-19 pandemic in the U.S. and the complete shutdown that followed, universities and their students have been forced to continuously adapt to a non-stop string of changes. Clubs and extracurriculars were hit especially hard and many were forced to find new ways to participate in their old activities. For choirs, it has been particularly difficult, as Alyssa Knudsen ’24 explained to the Justice over Zoom on Nov. 13.
(11/16/21 11:00am)
Red dresses hang from the trees on campus. Empty, they move with the wind like flags that draw attention to the missing and murdered Indigenous women and children who have been lost to violence. The “REDress Project” is an art installation created by artist Jaime Black. Black, who is of mixed Anishinaabe and Finnish descent, creates art that is representative of Indigenous experiences. She describes her art as being “engaged with memory, identity, place and resistance, and grounded in an understanding of the body and the land as sources of cultural and spiritual knowledge,” according to her bio on the Women’s Studies Research Center webpage.
(11/16/21 11:00am)
With red dresses hanging all throughout campus, it’s hard to bypass the ongoing “REDress Project.” Students in “Introduction to the Creativity, Arts, and Social Transformation,” led by Prof. Toni Shapiro-Phim (CAST), have partnered up with artist Jaime Black in order to set up this art exhibit. Commenting on the “more than 1000 missing and murdered aboriginal women” in North America, CAST has worked to recreate Black’s project to help illustrate this ongoing tragedy.
(11/16/21 11:00am)
The popularity of Netflix’s “Squid Game” is unprecedented for a TV series in a foreign language that has reached a global audience of 111 million — “making it [their] biggest series launch ever!” The show was also ranked “No. 1 [of the most viewed content] in 90 countries” just two weeks after its release on Sept. 17, and almost two months later, the series remains on Netflix’s Top 10 list in the U.S..
(11/09/21 11:00am)
Connection, squabbling and the bond of friendship lies at the heart of "The Wolves," the latest play performed by the Brandeis Undergraduate Theater Collection, which opened Nov. 4.
(11/09/21 11:00am)
The Brandeis Women’s Network welcomed award-winning journalist Alison Bass ’75 via Zoom on Wednesday, Nov. 3 to discuss her career and new book. Amy Cohen ’85, the network’s co-chair, moderated the event.
(11/09/21 11:00am)
Waltham Mills Artist Association hosted their open studios this past weekend from noon to 6 p.m. The event included in-person showings at buildings four and 18 at their location at 144 Moody Street where visitors could explore the open workspaces of over 80 community artists as well as purchase art to support the creators.
(11/02/21 10:00am)
Art-making is rarely a straightforward path. Life itself is full of twists that leave us unsure of where to put our feet next. However, unexpected situations can be just the push someone needs to go for what they desire. When James Ming Johnson joined the Post-Baccalaureate Program in Studio Art at Brandeis University, he had been trying to narrow down his life to its uttermost essentials. For Johnson, this meant getting rid of the preoccupations of the day-to-day to finally find a space — both physical and mental — to nourish his artistic practice. Moving to Massachusetts suburbia, he says, “was a nice change from New York.” Part of Brandeis School of Graduate Arts and Sciences, the Post-Baccalaureate Program gives students the space to grow as artists and develop a portfolio for graduate school admission. The private studios in the Epstein Building offer 24/7 access and a mock-up gallery space where students engage critically with each other’s artworks.
(11/02/21 10:00am)
According to the Brandeis Office of Study Abroad, 19 Brandeis students studied abroad this summer, 60 Brandeis students are studying in 19 countries this fall and by this spring, more than 100 Brandeis students are expected to study abroad. Special thanks to Study Abroad Advisor, Ari Massefski and the Office of Study Abroad for their assistance in contacting students currently studying abroad for this article and for providing demographic information.
(11/02/21 10:00am)
Starving Artists kicked off their season with a “Newbie Debut” concert, to introduce the newest members of the a cappella group. It was the first time the group has performed live since the winter of 2020, and the room was packed with fans and abuzz with excitement. The newest members of the group are Leila Haller ’25, Sarah Kim ’25, Sam Newman ’24 and Rachmiel “Rocky” Klein GSAS ’22.
(11/09/21 1:28pm)
Brandeis hosted a melange of Hebrew-speaking professionals through the Hebrew Language and Arts Festival from Oct. 27 to Nov. 1. The Hebrew program and Near Eastern and Judaic Studies department host the annual festival, which includes events both in Hebrew and English to showcase new projects in film, music, food and writing. This year, events ranged from talks on fixed topics to interactive demonstrations.