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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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Saturday is for a rock concert at Chum’s

(01/21/20 11:00am)

On Jan. 18, WBRS hosted its first event of the year, “WBRS Presents: Sunflower Bean with Haybaby,” in Cholmondeley’s Coffee House. The event was created and organized by April Ginns ’22, the club’s music director, and Anna Bartusis ’20, the live event coordinator. Inspired to bring the world of indie rock to the Brandeis campus, the two put on a concert that transformed Chum’s from a quiet coffeehouse to a lively, energetic concert venue decorated with rainbow-colored lights and posters.






Will you have some tea with C2B?

(12/10/19 11:00am)

  The Club Cantonese @ Brandeis presented their annual culture show on Friday in Levin Ballroom. The theme of this year’s culture show was “Tsum Zao Seoi Yuet,” which means “looking for Cantonese Culture through time” in Cantonese. C2B chose this title because it represents the many different cultures and traditions that make up Cantonese culture and shows the progression of them through time. 


Undergraduates showcase moving music

(12/10/19 11:00am)

When I walked into the Slosberg Music Center for the Fall 2019 “Undergraduate Composers’ Collective” concert on Friday night, I did not know what to expect. I knew that the concert was a collaboration between students in the MUS 106A class and the Undergraduate Composers’ Collective and would be co-directed by Aaron Newitt ’21 and Leah Samantha Chanen ’20. The purpose of the concert was to showcase Brandeis students’ original compositions written over the course of this semester, as well as a composition written by Jake Sibley ’19, former president of the UCC, who died by suicide in August.








Arts - Nutcracker 12.4.19 MG 0281.jpg

(12/10/19 11:00am)

SNOWFLAKES: The Snow Queen, portrayed by Marissa Small ’21, dances alongside her angels and snowflakes to guide Clara, played by Hannah DeRoche ’19, ’20 MA, to the Land of the Sweets. In an interview with the Justice, Deroche said, “My favorite piece in the production is our adaptation of “Snow,” as it is very unique in the way we use both modern and classical music and pair this juxtaposition of sound with changing shoes from flat to pointe and changing skirts from classical romantic tutus to modern dip dyed skirts.”