The biggest stumbling block in this production was that it failed to elevate its source material in any way. Now, not all shows must elevate their source material. However, in the case of “Once Upon a Mattress,” a show with an incredibly juvenile premise, one might have hoped that a university production team would have attempted to inject some relevance into the show for its target audience to respond to.
Last Friday evening, the Southeast Asian Club staged a karaoke night in the Intercultural Center. As I made my way into the building, I immediately heard laughter and loud singing radiating throughout the building.
“The Killing of a Sacred Deer” is not unlike heart surgery. It’s slow. It’s careful. It’s layered. Yorgos Lanthimos’ new film takes a deep look into the peaceful home life of a heart surgeon (Colin Farrell) and his ophthalmologist wife (Nicole Kidman) together with their older daughter and younger son.
The editors of Blacklist Magazine hosted a coffee house at Cholmondeley's on Saturday to celebrate the publication of their first issue of the semester. Blacklist, formerly Where the Children Play, is the University's longest-running literary and arts magazine.
On Saturday evening, the Brandeis African Students Organization hosted the 7th Annual Night for Africa in Levin Ballroom. The show was a part the University’s I Am Global Week and students invited friends, family and faculty alike to come share in culture from Africa and the African diaspora.
There should be no question that “Three Billboards” will be a major awards contender. The movie has already received praise in the form of the Venice International Film Festival’s “Best Screenplay” award and multiple audience-choice picks at multiple festivals like the Toronto International Film Festival.
David Gordon-Green’s “Stronger,” encompasses the recovery of Boston bombing survivor Jeff Bauman, who became a reluctant hero in the aftermath of the tragedy. It is neither masterful nor mediocre, and is most certainly not formulaic. It is, simply, a true story told well and told differently than its biopic brethren.
If there is one thing I can say about “The Sparrow,” it’s that it has a creative and unique vision credited to its director Leah Sherin ’19.
The end of October always brings spooky fun, but few events are as franken-tastic as this past week’s a cappella Spook-A-Palooza. The event was hosted by Starving Artists and was both musically impressive and comically lighthearted.
Annual variety show showcases student abilities and talents outside of the classroom.
This Sunday I went to Merrick Theater in Spingold to catch “Hamlet,” directed by Abi Pont ’19. The titular role was played by Bryan McNamara ’19, who held his own with his stellar performance and proved himself as the moody, emotional Hamlet.
On Friday night, comedian Colin Jost traded his seat behind “Saturday Night Live’s” “Weekend Update” desk for the main stage of the Spingold Theater Center as part of the University’s annual family weekend.
Last weekend, the Undergraduate Theatre Collective presented Noel Coward’s play “Blithe Spirit,” which was directed by Marek Haar ’20 and produced by Becca Lozinsky ’20.
The Gosman Sports and Convocation Center was packed to the brim this past weekend, with the up-and-coming X Ambassadors performing live in front of a rowdy crowd of Brandeisian students. X Ambassadors, led by vocalist Sam Harris, is best known for their top-10 Billboard songs from their 2015 album, “VHS,” which has sold over 500,000 copies to date.
Japanese artist Takashi Murakami is well known for his groundbreaking, colorful and graphic body of work. However, a new exhibition at the Museum of Fine Arts, “Takashi Murakami: Lineage of Eccentrics,” aims to highlight the connections between Murakami’s own unique body of work and the impressive, expansive collection of Japanese art at the MFA — giving context to Murakami’s famed works.
Thankfully, the theater department’s fall production of Maria Irene Fornes’ “Fefu and Her Friends,” directed by Prof. Adrianne Krstansky (THA), falls into the category of good productions. However, while the production itself is finely executed, its source material weighs it down unbearably.
Interview with Sophia Massidda '20