This week, justArts spoke with Pramoda Bapatla ’20, the president of Namaskar - The Association for Hindus, Jains, and Sikhs.
"Maniac" combines the aura of mystery found in "Blade Runner" with the intense fear and foreboding of "2001: A Space Odyssey.”
On Friday night, WBRS held a concert at the Light of Reason in conjunction with the Student Committee for the Rose Art Museum.
On Oct. 4 at the Intercultural Center, students gathered to reflect on these questions and more through “An Evening of Art, Identity and Lived Experience,” part of the Joseph B. and Toby Gittler Prize Award Presentation and Residency.
On Oct. 4, the Wasserman Cinematheque hosted a special screening of Debra Granik’s ‘85 “Leave No Trace.”
This week, justArts spoke with Chila Haber ’19, the president of Brandeis Starving Artists, and Brandon Less ’19, the president of Brandeis VoiceMale.
For the first time ever, Brandeis University was a co-host for the Boston Latino International Film Festival along with Harvard University, Northeastern University and Emerson College.
Brandeis Hillel hosted SukkA Capella last Wednesday in the Sherman sukkah, a temporary outdoor structure set up for the Jewish holiday of Sukkot to watch four different groups displayed their talent.
The new music concert series “Music at Mandel” kicked off on Sept. 26 with Prof. Robert Nieske (MUS) and his bandmate Billy Novick elegantly balancing a casual atmosphere and refined playing.
A new documentary asks an important question: What would happen if everyone in society was given a universal income?
The movie forces viewers to ask, “How would you handle a too-late second chance?”
This year's 24-Hour Musical was a hit!
Put simply, “The Young Marx” is painfully boring.
This week, justArts spoke with Leah Sherin ’19, one of the directors of the 24-Hour Musical this year.
The Rose Art Museum Fall Opening premiered several new exhibitions last Friday.
“Mission Impossible — Fallout” is a solid action film that will entertain audiences for two and half hours, but I had higher expectations when I walked into the theater.
Rachel Stern’s exhibition, “More Weight,” points a satin-gloved finger at the ideal of justice.
This week, justArts spoke with Emily Bisno ’19, the president of the UTC.
How do we connect organically in a world dominated by technological barriers?