‘Jujustu Kaisen’: A Review

by Samuel Diaz | 09/12/2023

Student Art Spotlight (Samuel Diaz)

by Samuel Diaz | 09/12/2023

Abbott Elementary: The sweet season

by Mina Rowland | 09/12/2023

Dre from “Swarm:” A Psychotic Take on Invisibility

by Kenyatta David | 05/22/2023

Brandeis Organization of Poets finds its poetic voice

by Mina Rowland | 05/22/2023

"Radium Girls" radiated my Brandiesan experience

by Julia Hardy | 05/02/2023

Springfest 2023 makes a splash

by Jane Flautt | 05/02/2023

“Evil Dead Rise” is not your average horror film

by Ethan Gerstman | 04/25/2023

On dystopia, apocalypse and society; A review on Franny Choi’s newest book

by Mina Rowland | 04/25/2023

‘Milf Manor’ breaks ground rules and enforces stereotypes

by Jen Crystal | 04/04/2023

‘About Time’ is not your average Rom-Com

by Julia Hardy | 04/04/2023

The last chapter: A review on ‘John Wick: Chapter 4’

by Ethan Gerstman | 03/28/2023

It is a truth universally acknowledged: A look at adaptation in Pride & Prejudice

by Isabel Roseth | 03/28/2023

Cheem’s pop rock genre is not ‘Clueless’: An interview with the New England band

by Mina Rowland | 03/21/2023

A paw-sitivley purrfect film: ‘Puss in Boots: The Last Wish’

by Gianni Storti | 03/21/2023

Marvel misses the mark with Kang the Conqueror: A review of ‘Ant-man and the Wasp: Quatumania’

by Kenyatta David | 03/21/2023

Gazing ‘Beyond the Light’: A review on the MET’s Danish exhibition

by Megan Liao | 03/21/2023

2023 Oscars predictions

by Ethan Gerstman | 03/07/2023

Comprehending your Humanities professors: Gatekeep like a pro

by Megan Liao | 03/07/2023

'Little Queer Library’ Waltham's gay initiative vandalized

by Jack Yuanwei Cheng | 02/14/2023

The Justice interviewed the creators of 'Queer Little Library' and discussed its importance in the Waltham community.