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BIG FINISH: Winnifred (Rachel Greene ’20) and Prince Dauntless (Zack Garrity ’20) stand together after an exhausting dance.
BHANGRA: The penultimate dance, Bhangra, featured beautiful costumes and very intricate dancing.
CHRONIC BACHELOR: Ladies in waiting beg Dauntless to find a wife so they can marry, as well.
MIRRORED MAUVE: “One Week” choreographed by Lindsay Weiner ’18 perfectly fit the throwback theme.
CHAK DE: The dancers perform a narrative dance about a princess reluctant to accept her royal responsiblity.
LIMBS OF LANGUAGE: “Human” choreographed by Julie Joseph ’18, was performed by the Dance Ensemble.
ICY ATTITUDE: The Ballet Club performed “Waltz of the Snowflakes” from “The Nutcracker.”
On Saturday evening, the Brandeis African Students Organization hosted the 7th Annual Night for Africa in Levin Ballroom. The show was a part the University’s I Am Global Week and students invited friends, family and faculty alike to come share in culture from Africa and the African diaspora. Seating began at 5:45 p.m., and by the time the show started a half hour later, the audience was bustling. People even lined the balconies to watch the performances.
The editors of Blacklist Magazine hosted a coffee house at Cholmondeley's on Saturday to celebrate the publication of their first issue of the semester. Blacklist, formerly Where the Children Play, is the University's longest-running literary and arts magazine. Bad Grammer warmed up the growing crowd with a combination of slapstick humor, raunchy jokes and laughably bad puns. They were followed by Sarah Lavin ’21, who sang two original songs, “Who Am I” and “How Can I Write a Love Song,” accompanied by her ukelele. Next was a stand-up bit by Max Everson ’19, who shared his heartwarming, hilarious experience of seeing “The Longest Ride” in theaters with his best friend. In addition to making the audience members laugh, he left them with a message: try to share your friends’ interests rather than be critical. Everson later explained, “If my material isn’t funny, at least it has a moral.” Then Jordan Mudd ’20, playing his guitar, performed a mashup of “Autumn Leaves” and “My Funny Valentine,” as well as Amos Lee’s “Learned a Lot.”
Review — Sterile. Raw. Complex. “The Killing of a Sacred Deer” is not unlike heart surgery. It’s slow. It’s careful. It’s layered. Yorgos Lanthimos’ new film takes a deep look into the peaceful home life of a heart surgeon (Colin Farrell) and his ophthalmologist wife (Nicole Kidman) together with their older daughter and younger son. However, their peace is disrupted when a neighborhood boy (Barry Keoghan) begins tormenting them for an undisclosed reason, shaking up their mild and dull lives in the upper class. What proceeds is a tense drama and a countdown of unknown terrors the father must prevent.
FALL FOR FAFALI: Annie Jean-Baptiste ’20 (pictured) performed in the music department’s Ghanaian dance ensemble.
MUSIC MAVEN: A student sings karaoke as his friends cheer around him.
REBELLE BODY: Rebelle Dance Team performed to a medley of Afrobeat songs.
CHEERING CHAMPS: Students cheer for one another as each student sings karaoke.
WALKING THE WALK: Elizabeth Dabanka ’20 and Wil Jones ’18 walked down the runway during the fashion show.
BAD GRAMMER: Bad Grammer, an on-campus improv group, opened up the evening.
MUSIC MAN: Jordan Mudd ’20 performed a mashup of “Autumn Leaves” and “My Funny Valentine” with his guitar.
Last Friday evening, the Southeast Asian Club staged a karaoke night in the Intercultural Center. As I made my way into the building, I immediately heard laughter and loud singing radiating throughout the building.