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Brandeis University’s Independent Student Newspaper Since 1949 | Waltham, MA

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Sounds of Brandeis: The Kaleidoscope Concert

(03/05/24 11:00am)

The Brandeis Concert Series is an incredible and rare opportunity to see free live music every weekend in the Slosberg Recital Hall. The series includes both student and faculty performances with a diverse line-up including jazz, chamber singing, a Ghanaian drum and dance ensemble and never-before-seen pieces that were composed by Brandeis students, faculty and alumni. Upcoming performances include Hypercube, a Brandeis original composition, on Mar. 2 and Evan Hirsch’s piano recital on Mar. 8, with various other performances on Mar. 16, 17, 23 and 24. 


Museums or mean girls? Societal worship of public art museums

(03/05/24 11:00am)

To the readers who have enjoyed my museum reviews in the past, thank you! I am happy that there have been so many opportunities through The Justice that have allowed me to talk about art in a way that I usually wouldn’t. However, in my time going to many of these museums, including the Museum of Fine Arts, the Isabella Stewart Gardner museum and the Metropolitan Museum of Art, I have found a particular trend in the structure and the purpose of the museum that I find interesting. I would like to define my meaning of worship in this paragraph. When I say worship, I am describing the actions of the devout museum goers. When I went to see an exhibition at the Met in December 2023, I saw many people standing and ambulating around the art, but I saw even more with jaws wide, hands over mouths and speechless “ohs” spilling from their mouths. Yes, art is beautiful, important and meaningful and I would probably be very upset in a world without art, but museums inspire us to look up at art, placing it beyond us in a way that is to separate us and the art.





Deconstructing “Deconstructed Anthems”

(02/13/24 11:00am)

In the coming days of Feb. 13 through Feb. 17, the thought-provoking and moving immersive art installation, “Deconstructed Anthems: Massachusetts” will be debuted at the Cyclorama in the Boston Center for Arts. “Deconstructed Anthems” is a series of exhibitions created by artist, professor and Director of the Poetic Justice Group at Massachusetts Institute of Technology Media Lab Ekene Ijeoma. Ijeoma, whose background is in technology and interaction design, develops multimedia artwork designed to expose the inequities that riddle the United States and challenge his audience to change them. Through “Deconstructed Anthems,” Ijeoma depicts the immense scale of mass incarceration, as well as the gross racial disparities ingrained in the U.S. carceral system. Each site-specific iteration of “Deconstructed Anthems” uses data from the U.S. Department of Justice, combined with conceptual, multimedia art, to give voice to the over 1.5 million (disproportionately Black) individuals incarcerated in the U.S. since 1925. Ijeoma’s exhibit highlights the hypocrisy of the U.S. being the “land of the free” while having such high incarceration rates by centering the installation around the classic “Star Spangled Banner.” The exhibit combines an algorithmic composition programmed by Ijeoma and numerous musicians who methodically omit notes while playing “Star Spangled Banner” to reflect the escalation in national incarceration rates from 1925 to the present. Ijeoma achieves this by using a custom piano “retrofitted with hardware and software programmed to hold down keys at the same rates in the composition as a pianist is playing it.”





Food for thought: An interview with the director of Food Tank’s “Little Peasants”

(02/13/24 11:00am)

The fight for fair and equitable treatment of laborers is an ongoing struggle. In 2023, we have seen numerous strikes and strike threats, including those by SAG-AFTRA, United Postal Service workers and Starbucks Workers United. It is amidst this backdrop of labor activism and the pursuit of workers’ rights that the play “Little Peasants” emerged.


Parable of the Sower: A Review

(02/13/24 11:00am)

Typically, the imagined setting for a dystopian science fiction novel is the far future — perhaps Earth in the year 3000 or even on an entirely new planet. In contrast, it can be jarring to discover such a novel written in the near future, especially if that near future is this coming summer. Published in 1993, Octavia Butler’s novel “Parable of the Sower” takes place from 2024 to 2027, years that were three long decades in the future but are now the rapidly approaching present. 





Wicked Queer Film Festival returns

(02/06/24 11:00am)

 On Feb. 1, 2024, Wicked Queer: The Boston LGBTQ+ Film Festival announced the dates for “WQ: 40,” the 40th edition of its annual Queer film festival. Originally created by film programmer George Mansour in 1984, Wicked Queer is entering its fourth decade of platforming LGBTQ+ stories from all over the globe. Through its exclusively volunteer based team, the organization has created a festival for the community, by the community. The organization is sponsored by the Queer Film Institute and partners with various cultural organizations in Boston including the Boston Asian American Film Festival, the Boston Latino International Film Festival, andQueer Muslims of Boston. The 40th anniversary marks a milestone in Wicked Queer’s journey of celebrating Queer identity, diversity, and resilience.




Is Jello an art? An exhibit explores media and life through this gelatinous treat.

(01/30/24 11:00am)

When walking through the Museum of Fine Arts, I was shocked to see the word “Jello” across a wall next to a small room, and I couldn’t help but venture in. Sometimes curiosity kills the cat, but in this instance the cat gained some perspective. The exhibit “Digital Iridescence: Jell-O in New Media” is unlike any other that I have seen and proves why I continue to venture across the city and explore museums. 


Rembrandt nation unite!

(01/30/24 11:00am)

Born in 1606, Rembrandt Harmenszoon van Rijn, or Rembrandt as he is commonly known, was a self-taught printmaker and painter whose works of the Dutch Golden Age created waves throughout 17th-century Europe. Rembrandt’s paintings, such as “The Storm on the Sea of Galilee” or “The Night Watch,” showcase his skill as a painter, but his works in etching and printmaking showcase his skill as an artist throughout multiple mediums.